Humble opinion

Shirley 2022-03-22 09:02:40

Bella Tal's "The Whale Circus" is still full of Bella Tal's personal style, and the excellent long-shot scheduling and actor scheduling make the visual perception not boring. Compared with the later "Horse of Turin", this The storyline of the film should be relatively rich, and with the melancholy soundtrack, the long shots are full of charm. At the same time, the whole film adopts a short-focus lens, which refers to the visual habits of the human eye, and relies on natural light for light design. However, it is separated from reality through extremely beautiful verses, adding a touch of absurd appearance. The opening starts from a carnival of drunkards to play the universe, and a few drunkards play the role of planets, turning around in the tavern, laying the groundwork for the whole film, which is absurd and realistic. The recitation of verses during the solar eclipse adds poetry to the film. Of course, it is not because there are verses that it is poetic. Whether it is the shooting of the camera or the development of the plot, it pays great attention to the transmission of poetic emotions, and the black and white image texture and roughness The photography style of the film is constantly helping the image of the film. On the theme, the whale circus still reflects Bella Tarr's thinking about society and the people. The political irony in the story is not prominent, but the political situation in reality is deliberately downplayed, and more riots for no reason are told. . And this kind of riot is essentially a mass panic of lack of clothing, lack of food, and everyone's confusion about the future. Under the anxiety, a violent vent was formed, there was no reason, no reason, but it happened. If that's all, then "The Whale Circus" won't have such a high status. For those in high positions, the riots of the people at the bottom seem to have no reason, no reason, in fact? When city managers are blindly pursuing interests, when the activities of the people at the bottom are only alcoholism, and when people get poorer and poorer, riots have become inevitable. And the victims are not only the victims of the atrocities. When the old man stands alone in front of the hospital bed and stares at the camera, all the viewers who have ignored it are also members of the perpetrators. So did Whale Circus make you despair? not at all. After the eclipse, the sun still rises; after the riots, people still live in panic, as Bella Tarr said in an interview: "You always say that my films bring disappointment and despair, but I think Ask you, did your life get worse when you watched it? Don't you love your life more?" And that's exactly what Bella Tarr wanted to convey. Digression: "The Elephant Sitting on the Floor" is very similar to Bella Tarr's style, whether it's the superb long-shot scheduling level or the realistic photography style , and there is resonance in the conveyance of emotions and the degree of theme. However, I personally think that "The Elephant" has developed new branches and deepenings on this basis. "The Whale" is the torture of the group in the era, and "The Elephant" is the torture of the individual and the intimate relationship in the era.

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Extended Reading

Werckmeister Harmonies quotes

  • János Valuska: You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in it's brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness

    Mr. Hagelmayer: That's enough! Out of here, you tubs of beer!

    János Valuska: But Mr. Hagelmayer. It's still not over.

  • György Eszter: I have to make it clear that not even for a moment is there doubt that it is not a technical but a philosophical question. So that the tonal system in question, through researches, has led us inevitably to a test of faith, in which we ask: on what do we base our belief that this harmony, the core of every masterpiece, referring to its own irrevocability, actually exists or not. From this it follows that we should speak of, not research into music, but a unique realization of non-music which for centuries has been covered up and a dreadful scandal which we should disclose. Hence the shameful situation that all the intervals in the masterpieces of many centuries are false. Which means that music and its harmony and echo, its unsurpassable enchantment is entirely based on a false foundation. Yes, we have to speak of an indisputable deception, even if those who are less sure, a little moderate, babble on about compromise. But what kind of compromise, when for the majority pure musical tonality is simply illusion, and truly pure musical intervals do not exist? Here we have to acknowledge the fact that there were ages more fortunate than ours, those of Pythagoras and Aristoxenes, when our forefathers were satisfied with the fact that their purely tuned instruments were played only in some tones, because they were not troubled by doubts, for they knew that heavenly harmonies were the province of the gods. Later, all this was not enough, unhinged arrogance wished to take possession of all the harmonies of the gods. And it was done in its own way, technicians were charged with the solution, a Praetorius, a Salinas, and finally an Andreas Werckmeister, who resolved the difficulty by dividing the octave of the harmony of the gods, the twelve half-tones, into twelve equal parts. Of two semi-tones he falsified one, instead of ten black keys, five were used and that sealed the position. We have to turn our backs on this development of tuning instruments, the so-called constant-tempered, and its sad history and bring back the naturally tuned instrument. Carefully, we have to correct Werckmeister's mistakes. We have to concern ourselves with these seven notes of the scale, but not as of the octave, but seven distinct and independent qualities like seven fraternal stars in the heavens. What we have to do then, if we are aware, is that this natural tuning has its limits and it is a somewhat worrisome limit that definitely excludes the use of certain higher signatures.