"Who are you talking to?" "Audience" The life of a madman is really what I yearn for, such freedom, the courage to resist against the boring world. Let go of everything he loves (or at least those who are like him) and move forward with no purpose. Killing people, walking through the forest, the sun, the beach, the sea, penniless. "That fool can only drive in a straight line" "Look at me" So he drove the car into the sea This is too romantic! ! ! Anti-dogma anti-regulation FREEDOM! ! ! There are also a lot of jokes about Hollywood scenes in the film, which also add a lot of comedy color. Many of the insertion shots of neon lights in painting and writing need to be watched several times and carefully paid attention to to understand the director's intention. The practice of not synchronizing sound and painting is really crazy, so it's more than crazy. Emil, the heroine, the director himself, and the new young people of the new wave, I think the best thing about the director is that the director does not have any deliberate lyricism. Compared with many directors today, it is really comfortable. Too much deliberate lyricism is like a director. Staring at you, holding a loudspeaker in your ear, and calling you over and over again, cry, cry, at the end, when the hero beat the heroine to death, he thought she betrayed him and abandoned him, but he regretted it too much The rendering of any sad atmosphere directly shows that the male protagonist will tie explosives to his head and set it on fire
A very favorite movie!
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