Before entering the scene, I said to the little rabbit that I mainly watched the special effects-because the saber-toothed tiger alone made me feel that the atmosphere of prehistory was particularly strong. If I say earthy, it means that I have the feeling of being in the scene. How is the story? Aside from that, I wish I could enjoy the incredible computer effects.
In fact, in fact, originally, at the root - I was still looking forward to the story. After all, if you spend money to walk into a movie theater, you still hope to be able to see the whole process of a story as a bystander. It is a luxury to spend money just to watch special effects on the big screen.
After coming out, I lamented a little, and then I wanted to write it out, so that everyone would not be deceived again.
Alas, Lao Tzu gave another education class, an education class on individual American heroism. The story is absolutely old-fashioned, and I almost have to recite it: the hero's clan was kidnapped, chased all the way, and chased after the "God"'s lair - the pyramid, and then used his personal charm to mobilize all the slaves who helped the gods build the pyramids. God is destroyed. Also interspersed in the middle are the spiritual power of the heroic father, and the love story of a woman and a hero.
America has always produced individual heroes, such as Superman and Spider-Man. Even if Batman has a Robin next to him, it's a supporting role. Americans respect this, and make up N many stories about it. I have to admit that the ability of foreigners to make up new stories is very strong, and many unexpected things are strung together with special logic, so many stories are very good-looking. The problem is that this ability is not reflected in this script, which really makes me ashamed.
If it is an educational model of personal heroism, this film is absolutely well-deserved. Use the most old-fashioned logic, use the most old-fashioned narration to tell the story, and then match it with the old-fashioned narration, and finally get the most old-fashioned result - and the suspense that the title gives us is actually nothing more than Beautiful casing for this template. What 10,000 years ago, the clothes are all brand-new and new, there is no savage appearance, and the pyramids have all run out, the mammoth saber-toothed tiger coexisted, and the saber-toothed tiger is really human. Right and be a sci-fi movie, comfort yourself. But I still really feel sorry for the money. It would be great if it was given to some impoverished children in China for such an inexplicable film.
Back to the point. The result is absolutely happy, and it is also related to love - the hero's lover first tilted his head and returned to the west, then he shook his eyelids, let out a sigh of relief, his body trembled a few times, and he came back to life! As a result, the hero and lover live happily ever after—the film ends with the shadow of the two kissing in the sun. I almost stood up and clapped my hands: people were so avant-garde back then, and they even kissed! However, it was this scene and result that aroused the romantic psychology of many viewers, and then applauded. I personally don't like this ending.
The most amazing thing is that the god died so fast. With a swish, the spear flew over, "slammed", and the god rolled down the steps, his limbs slowly spread out, and he hung up. No bodyguards risked their lives to block the spear, and no one stopped the hero from throwing the spear - all to illustrate the hero's subsequent words: "God is not invincible!" Alas, it's really SB logic, which puts the audience in the dark. Be a fool. If a director comes to my country to engage in patriotic education, he will definitely be better than others.
And that narration, sigh, I didn't know what to say, which made me confused. I originally wanted to experience a story, but because of the narration, I always jumped out again. After listening to it, I realized that I was stunned. Alas, a failure.
Since the beginning was aimed at computer special effects, let’s talk about special effects.
The only time I've been tricked by special effects is the sea of the Titanic, completely deceived, not at all. The special effects this time, uh, can still be seen. For example, when people appear in the background of distant mountains, it is easy to draw the outlines of people. It is obviously due to the setting, and the light before and after is inconsistent. Also, when I was in a stalemate with that black race (sorry, I really can't remember, in fact, I forgot the protagonist's name, I really failed), the saber-toothed tiger suddenly popped out, and the traces of the animation were still obvious. But I want to praise the mammoth and that kind of bird dinosaur that I don't know what it is. The special effects are very well done, especially when the elephant's legs step over the prone hunter shortly after the movie, there is a sense of panic.
The story gets zero points anyway, and the special effects are good - but remember, this is a model for an educational film.
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