I don't know why the teacher in this class chose this film, because our theme this week is violence. Maybe my life has been affected too much by Hollywood. During the process of watching the film, we laughed and called this an ethical film, then a suspense film. In short, an art film, it just doesn’t feel like a violent film, maybe something like 300, braveheart The big story, there will be blood, no country for old man is the reason why Hollywood mainstream has filled our sight.
Kim Ki-duk is famous, but this movie is the first I've seen him - maybe it's because I've watched too few movies before, or because I only watched American stuff. Kim Ki-duk is said to be a master of eroticism, and Samaritan Girls is also about girls' aid in communication, interspersed with mainstream elements of Korean movies: sex, violence and death, and of course Korean-style perversion (amen forgive me for saying that and don't ask me What is a Korean pervert? I have such an impression in my head...) But as the teacher said, this film does not attract people with exposed pictures and cruel and violent aesthetics as a gimmick, and makes the world look more dirty. The story is carefully placed in the beautiful picture artistic conception, to show, to seek the redemption, pain and reincarnation of life.
Samaria is said to mean a world friend, the name of a prostitute, and it is also the name that a middle school student who sells his body likes to be called in the film. I can't understand how she faced death with a smile, does she think she has fulfilled her life? So far this is just a third-rate film, but the charm of an art film is that you can't appreciate the essence of the film without seeing it at the end. Debt repayment and redemption followed, father's intervention, clues and plots are like poppies out of control, tangled together while growing wildly, carefully peeling off "the sins and cruelties in human nature by a peaceful life," And magnified and beautified for us to see, cruelty has become a sharp sword that does not strike."
The film spends nearly half of the pen and ink to explain the ending. In the nightmare, the girl who was not driven by desire, but was more depraved than desire, was killed and buried by her almost perfect father, but the result was so surprising. It's hard to swallow, because the girl looks so beautiful and pure again. Of course, the end result must also cater to the public, just as evil can never triumph over justice—at least in movies. In the end, Jin Ki-deok chose to forgive the girl unsurprisingly, and on the tortuous and long way home, let the girl learn to drive and pursue a future that she did not know whether she could catch up.
In the end, it is the relationship between the two protagonists. It is difficult to say whether they are lovers or not, but it must not be as simple as a so-called "ambiguous friend" if one person trades his body for the two people's travel plan. I thought the same thing while watching the film, but maybe they really are a tangled unity. One person or two people, stickers with their heads tightly wrapped, the diaries of two people, the intertwined fate and redemption...
Afterword I
watched this movie last night and felt a lot of emotion, so I called home at night The vernacular has been spoken for a long time—___—
QQ has been very noisy recently, and I condemned Zhu Jiao here by the way, that thing is really annoying. . . Yesterday afternoon, I found a more annoying Xuanling to get my revenge. . . Today, I watched the pain video that can breathe, and I suddenly felt something. I felt that it was quite similar to samaria, so I went
back to this article and thought about it. Maybe there are too many Hollywood things in life, whether it is movies. Or TV. Maybe a little change is
needed
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