Relying entirely on performance advancement, the characters’ instant sculptures are full of modalities, seem to burst, have no beginning and no end, are difficult to dismiss, indescribable, classical oil paintings are intertwined with some kind of myth of time and space, and the realm most reminds me of "2012" Space Odyssey, or the first half of The Shining, the difference is that both "2012" and "The Shining" have an ending. Strictly speaking, the deaths of several characters in this film can also be attributed to some kind of ending, but the difference is that their deaths may be grand, like Kant’s so-called free will death, similar to the voluntary choice of Eve in the Garden of Eden In exile, Odyssey also voluntarily chose to wander. Motivation is a strange and mysterious thing, and different motives divide different schools of thought. So many women with texture have chosen to destroy, voluntarily destroy, or destroy each other. This is a torture for survival and a torture for all human beings. Women's colleges and beautiful women in body and mind, like angels, try or die, if it is difficult to explain, there is no need to explain. This has clearly shown the disappearance of some eternal and ephemeral intimacy of human beings. Time and emotions have also been paving the way. It's hard to say what kind of movie this is, the story is more of a black hole.
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