image metaphor

Fernando 2022-03-22 09:02:37

First of all, there is no doubt that I didn’t understand it very much. I could feel the metaphor that Assayas wanted to hide, but I didn’t understand it very well. After reading the film review, I understood the complex relationship between the various images in the film. The actor's delicate micro-expression performance has a great contribution to giving the character a characteristic personality. Juliet's maria, this is a woman who is polite on the surface but hides her true temperament very shallowly. She has the courage to swim naked and is easy to deal with unfamiliar people. There is anger, and when there is anger, he will blurt out fuck, and he is more concerned about self-feeling and less concerned about career and fame, but he still met the director after persuading his assistant and finally accepted the role, accepted it and accepted it. When arranging the lines, because he hates Helena, he hates this by the years. The trapped powerless woman doesn't approve of this character's behavior at all. She feels that she knows sigirid best and doesn't want to become helena. Suddenly, she doesn't want Klaus's good works, and would rather pay sky-high liquidated damages. The director who started her career will not get angry or perfunctory about her assistant's straightforward speculation about her. She cares that her assistant's favorite female star is not her. She is a little dependent on her and can fall asleep unscrupulously. ——When I don’t like it and want to maintain embarrassing manners (sometimes I want to express my dissatisfaction), gamble a lot, don’t care about the rules-Drink driving, hate the operation of Hollywood’s movie capital, and also don’t like popcorn and sci-fi movies ( But the assistant liked it, and the assistant accepted it after he left), I don't like those naive and straightforward actors in Hollywood, I don't like the explosive information in the Internet age, I always refuse the assistant to ask her to watch, but if I miss important information, I will ask the assistant why not Tell her that the disdain for the Internet seems to be out of the same era as her assistant, and she does not admit or even know Hollywood superstar Jo-Ann. She is so strong and subjective that her mood changes too quickly, while her assistant disagrees with her on the Internet and her favorite actors. After her stubbornness took the wrong way, the assistant told her in the dark "Don't take your emotions out on me", after they rehearsed the lines in which Sigirid and Helena quarreled because Sigirid was leaving, she hugged the assistant and begged her not to Go, climb the mountain again, the assistant leads her to see the clouds of sis maria, she told maria that she brought a map, but maria changed her face in a second. If she didn't believe that she could see a cloud snake on this road, she had to say that she had gone wrong. After arriving at the cloud snake, maria called her happily, only to find that she suddenly disappeared. It's gone. The plot of "Looking at the mountains and forming the peaks on the side" must be echoing the previous ones. After the assistant disappeared, I found that the script they rehearsed reflected the reality of the two of them rather than the line of Maria alone. The cloud snake, the snake of Maloya, the relationship between maria and valentine, I didn't realize these metaphors in time, and I couldn't understand whether the last Jo-Ann's compliment to the refusal of Maria's acting suggestion meant that Maria realized herself Already eliminated by sigirid, and then calmly accepted that ending - she played helena, the drama is about to begin.

The film is vague about the relationship between the two men.

Xiao K's acting skills are superficially obvious, with an inertial performance of moving his eyebrows and moving his lips, but he does not appear in a play, and his temperament is integrated with the character, casual yet sophisticated, with sharp and delicate eyebrows and eyes, and a superior body proportion. , the whole person looks cool and handsome.

The relationship between the crew has nothing to do with themselves, and they all know that Jo-Ann is destroying other people's families, but they don't feel or even help. They only worry about whether their work will be affected.

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Extended Reading

Clouds of Sils Maria quotes

  • Maria Enders: Jo-Ann?

    Jo-Ann Ellis: What's up?

    Maria Enders: I wanted to ask you. You know the scene at the beginning of Act 3 when you tell me you want to leave and I get on my knees and I beg you to stay? You're on the phone ordering pepperoncini pizza for your coworkers in accounting. You leave without looking at me. As if I didn't exist. If you could pause for a second. Helena's distress would last longer when she's left alone in her office. Well, the way you're playing it, the audience follows you out but instantly forgets about her. So...

    Jo-Ann Ellis: So? So what?

    Maria Enders: When, when I played Sigrid I held it longer. I thought it was more powerful. Erotically. I mean, it really played well.

    Jo-Ann Ellis: No one gives a fuck about Helena at that point, do they? I'm sorry, it's pretty clear to me that this woman is all washed up. I mean, your character, Maria, not you. And when Sigrid leaves Helena's office, Helena's a wreck, and we get it. You know, it's time to move on. I think they want what comes next.

    Maria Enders: If you just held it a few seconds longer.

    Jo-Ann Ellis: It doesn't really feel right for me, Maria.

    Maria Enders: You're right. Yeah. I - I - I think I'm - I'm lost in my memories. You think you've forgotten your old habits, but their all - they all come back. Have to break them.

    Jo-Ann Ellis: I guess you do!

  • Piers Roaldson: [Piers proposes new movie mutant role for Maria] I'm trying to consider genetics from a more human point of view.

    Maria Enders: When I was reading it, I imagined someone much younger. Maybe me younger, actually, but you were seeing me in movies that were made years ago. I - I've changed.

    Piers Roaldson: She has no age. Or else, she's every age at once. Like all of us.

    Maria Enders: Can I be frank? Maybe it's because I'm working with her, but as I was reading it, I - I kept thinking about Jo-Ann.

    Piers Roaldson: Yeah, well personally, I never think about Jo-Ann Ellis.

    Maria Enders: You're wrong. She's smart. And talented. She's modern, just like your character.

    Piers Roaldson: My character isn't modern. Not in that way, anyway. She's, outside of time.

    Maria Enders: Outside of time. I don't understand. It's too abstract for me. It's all right.

    Piers Roaldson: I - I don't like this era.

    Maria Enders: You're wrong. It's yours!

    Piers Roaldson: Amen! I didn't choose it.

    Maria Enders: [laughs]

    Piers Roaldson: And if my era is Jo-Ann Ellis and viral Internet scandals I think I'm entitled to feel unrelated, aren't I. I mean, it's nothing against her, I guess I just assumed you'd understand.