just to feel

Bernhard 2022-09-13 22:06:43

With four and a half stars in my heart, I began to worry about whether her voice would have problems with the first song. So much so that I didn't enjoy her first song properly. The tears I couldn't help in the last performance, the peak state of my youth, I was used to the attention and applause of the audience, I tried my last breath to apologize to the audience for the mistakes I made on the stage, and apologized to my career. In such a gloomy day, how much effort would it take to sing such a wonderful performance that enjoys the stage. Perhaps it is the conduct of professional artists, or it may be the professional habits formed after their programmed exercise. Although I really don't want to say this, such cold words don't want to be used on such a profound woman, but I have to admit such a layer of relationship.

During the viewing process, the only real collision between Judy, old and young, was at the home of the pair of male admirers. When Judy was hugging the player behind him, his eyes stayed on his portrait. That is of course a photo of her at her peak. The down-and-out woman presented to the audience today, I never imagined that she was once a smash hit, so proud and highly anticipated, with endless applause and applause, countless followers and talented admirers. I can't imagine what kind of altar day it was, and now there are only two people left waiting at the door of the theater.

As a woman I want to hug her.

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Extended Reading

Judy quotes

  • Louis B. Mayer: Your name is Frances Gumm. You're a fat-ankled, snag-toothed rube from Grand Rapids. Your father was a faggot, and your mother only cares about what I think of you. Now do you remember who you are, Judy?

  • [first lines]

    Louis B. Mayer: What do you see beyond this wall? Picture it. You've got an imagination; go ahead. What I see is a small town in the Midwest. A handful of churches, somewhere for the farmers to get drunk together. Maybe a salon for their wives to do their hair on the holidays. I visit these places. These are the people who send us our profits. Who send us your wages. I make movies, Judy, but it's your job to give those people dreams. The economy is in the gutter, and they pay for you. And I'll tell you something else: In every one of those towns, believe me, there's a girl who's prettier than you. Maybe their nose is a little thinner at the bridge; they have better teeth than you; or they're taller, or slimmer. Only you have something none of those pretty girls can ever have. You know what that is?

    Young Judy: No, sir.

    Louis B. Mayer: You have that voice. It will maybe take you to Oz. Some place none of those pretty girls can ever go.

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