The only indisputable essence of cinema is the fluidity of time. Image presentation is only the second-order substance of film. When confronting the fluidity of time, there are two general encounters, one is "experience of the present" and the other is "experienced memory".
This film is more of the latter.
I'm tired, so I won't write it for now. Anyway, I'm probably talking about the old tower.
Tarkovsky, yes!
Ah why 140 words?
have to
Viewing the images of the present experience and the memory of experience is also a process of perceiving experience, which is inseparable from the binding of time. It's just that the former is going downstream, while the latter is upstream.
The former is more inclined to guide the logic and coherence of the inner narrative, that is, dramatic reality; the latter emphasizes the fit with the subjective perception form, and in the context of Laota's film, it is what we often call poetic logic. That is, the memory is real.
splashed around the traveler
don't write anymore
want to sleep
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