In "Father", Hopkins's father character is exposed to a spiritual rift caused by unconscious behavior under the unavoidable psychological or spiritual self-analysis of real experience. "Father trapped in time" (I actually don't know why I use "trapped" to interpret his state in the flow of time, in fact, he is not trapped, but - in the existing time-) reveals The resulting "temporal" stream of consciousness cyclically reminds us and himself to express the reference to the past, present, and future inner time consciousness.
In the film, the father's forgetting of time does not mean forgetting time, that is, being forgotten at the same time when he was there, but a person's self-willed return to forgetting and returning to the search for the existence of time, recognizing people and people. The reciprocal connection between the emotional-feeling and the self-subjective ethical path.
Then there is the marginal effect method of simplifying and simplifying the plot is often too narrative force. If this is really the purpose of Hopkins' spatial discourse in expressing the reality and non-reality of time itself, which affirms and denies, I am glad that Hopkins' muttering under the astonishingly profound performance art is in the It struggles to convey the power of the director and screenwriter's dull will but no longer updated with time.
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