This transition is so wonderful, it deserves 5 stars

Shanna 2022-03-21 09:02:48

This transition is awesome:

The black curtain "falls down" and brings in the heroine; (the heroine enters the stage) - very cleverly and quietly paving the way for the "real" entry of the heroine, giving the audience psychological assumptions

Outside the theater, the male protagonist looks for the female protagonist

Remind the position of the heroine again, and continue to pave the way for the heroine to enter;

The curtains behind the male protagonist are completely lowered, reflecting the lakeside scenery, and the silhouettes of two women can be vaguely seen.

The action of the male protagonist turning his head further brings out the female protagonist;

The male protagonist turns his head and continues to look for the female protagonist

The camera zooms in, and the male and female protagonists "on the window" are in the same picture;

The male protagonist moves towards the female protagonist; (the physical and psychological distances between the male protagonist and the female protagonist are drawn) - the audience can already accept the female protagonist's admission;

The male protagonist saw the female protagonist who was walking by the lake and walked towards her

Freehand brushwork turned into realism, the male protagonist walked towards the female protagonist, and the two met.

The male lead goes on to the female lead

The audience's feelings after watching it: Wow, what a beautiful and romantic encounter.

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Extended Reading

Somewhere in Time quotes

  • Richard Collier: Please, don't leave. You have no idea how far I've come to be with you.

  • Richard Collier: Arthur, you know in the Hall of History, there's a photograph, a young woman. There's no nameplate.

    Arthur Biehl: Yes, that's Elise McKenna. She was a famous actress in her day. Starred in a play in the hotel theater.

    Richard Collier: I-I'm sorry. Did you say there was a theater here?

    Arthur Biehl: Yes. Down by the lake.

    Richard Collier: Really? When was this play done?

    Arthur Biehl: 1912.