Wise people worry more, and to increase knowledge is to increase suffering.
I am also guilty of many crimes, but I have to judge others!
I serve God, not people.
Fear is because there is no love.
Two kinds of movies, taking the casting of the big bell as an example: 1. It is closely related to the casting of the big bell. 2. Casting a big bell is just a guise, but in fact it is the history and characters that should be represented. It's an unspoken feeling.
I think it is unreasonable to tell the story of a painter without ever having a shot of the painting.
There is no more horrific crime than abandoning God-given talents.
The story of the casting of the bell is very exciting, which is a model of both commerciality and literature. Both those who understand and those who cannot understand can be satisfied.
The religiousness within and the fateful connection between the seemingly unrelated characters’ stories are reminiscent of Ingmar Bergman.
notes:
The Lublev in the film is strongly idealistic and also has a shadow of Tarkovsky himself - they are all really thinking about God, and such people are destined to suffer like Jesus.
How can we obtain the miracle of the Trinity without suffering beyond the human world? This is not only the biography of Rublev, but also the history of a nation; the epic of all beings seen from the perspective of God, the fire of war and the bell with secrets, divine revelation Afterwards, the icons of colors appeared, and finally intertwined and blended in the rain! Laota's divine love for all beings will never be lost.
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