Why live, why die. The core of this series is simply this sentence, which is "life" and "death". When the protagonist Kuzhang faces his short future (killed in battle or killed after gathering all his fingers, it will only take a few years at most), he will be lucky if he can survive until graduation. Instead of complaining about himself or angering the injustice of fate, he chose to abandon those negative thoughts and try his best to live a life where he could "die surrounded by people". In order to achieve this, he needs to fight, to face the danger that may die on the street at any time. One of the more representative ones is that he was forced into a desperate situation when facing the super curse spirit of the youth academy. Although he suddenly doubted his motives in his mind, why he was so unlucky to encounter such a mess, why did he fight and so on. After realizing his negative emotions and thoughts, he chose to put them aside and focus instead on trying to defeat the enemy in front of him. Instead of thinking about negative issues, let go and act for the best possible outcome. This is also a creed that the series implements, not only in the protagonist, but also in other characters. Action and change here leads to a very important thought in another work, "action can definitely bring about change". In order to achieve this, there are probably two main points in the work. 1. High-speed transformation growth, not bound by money, equipment or skills. This work minimizes the influence of the material factors of reality. The characters in the play are basically grown and transformed directly in the battle, and they will not say that they were hammered because of some equipment that they can't afford, or that they put too much emphasis on daily exercise. One of the more representative ones is that Zenyuan Maki, who was exiled by the family, has a super-special curse tool worth 500 million yuan. If you add other weapons, it is probably several billion yen. Second, hard work pays off, and there is no such thing as failure after hard work. Combining these first points, in the twenty-third episode, Fu Hei was in a desperate situation when he faced the unrivaled strength of the special class, but after thinking about his attitude towards life, he figured it out, suddenly realized the domain, and directly fought back. . And in the group battle, Huzhang and Dongtang, two students in school, fully utilized their own abilities, and with perfect cooperation, they were able to hammer the super-class Spellling Huayu. In addition, in order to ensure that this point is not broken, the author also set up the double insurance of Gojo Go and Liangmian Su Nuo. Even if the young ones are transformed, they still can’t beat them, so let’s go to the old ones. In the fourth episode, the first battle of Knotweed is a super-special spell spirit. After growing up, I still can't beat it. What should I do if I can't beat it? Then just replace it with one that can beat it. Liangmian Su Nuo appeared on the stage, killing the curse spirit directly. The heart that raised the audience's throat was put back again. In the twentieth episode, facing Hana Yu's shoulder Gojo Satoru, who had just been trapped outside the field, suddenly entered the arena, broke the barrier, and began to kill the Quartet. As far as the overall rhythm is concerned, the right side will win. Although there may be many hardships along the way, hardships can bring growth, and the final victory is inevitable. It can be said that the whole show is full of positive energy. Curse and Obsession are actually somewhat similar to One Punch Man in this regard. The enemies all have certain obsessions. For example, when some mobs-level magic spirits appear, they will mutter something, which may be their last thoughts or obsessions during their lifetime. As far as the curse spirit is concerned, it is also the thinking body of human beings, or a collection of fears. Not to mention the super-class, the real person is the hatred of human beings; the flower royal is the fear of nature; the leaky coral is the fear of earthquakes or volcanic eruptions. In "One Punch Man", there are Vaccine Man, Deep Sea King, Crab Man and the like, all of which obviously represent some kind of obsession or fear. The ultimate core is to express the negative emotions of human beings, and if these negative emotions are not dealt with properly, they may lead to catastrophe. Spell - The villains in the New Humanity drama also have goals and ideals, not just want to destroy, which makes their images very three-dimensional and vivid. In the movie theater, when the real person killed three high school students, the movie line of "Wormman 3" being played happened to say "in order to create a perfect human being". And they also mentioned many times in the dialogue that they want to become new humans. In their eyes, the current human beings are full of lies and hatred, and their curse spirits were born because of this. They have been at an absolute opposite to human beings since their birth, and what they want is not peaceful coexistence with human beings. They see human beings as a lowly incompetent and hypocritical animal, compared to the more powerful and more "pure" soul or character. The curse spirit is destined to replace it. In order to create a world where curse spirits can live peacefully, they all have the consciousness of self-sacrifice, and the current trend of the plot is also, they all have the consciousness to sacrifice in order to revive the two-faced nuo. It also elevates their goal to the level of a racial ideal, not a destroyer, but a revolutionary. Their aim expresses the author's critique of the evils of human nature. People hurt each other and deceive each other for various purposes, even if the students of the Magic Academy are killing each other under the guidance of adults, not to mention the world of adults outside the academy. The realm is actually quite interesting. The realm is unique to each character and is a completely different skill from others. Maybe it can be understood as something similar to the at force field position in "eva"? Or is the realm the most authentic self in everyone's heart, and the realm is the embodiment of the characters' respective life philosophies? The balance of seriousness and humor may be more obvious when compared to "Demon Slayer". Although "Ghost Slayer" is also a work with humor and seriousness at the same time, the actual performance of its humor is often problematic. Often in brutal battles, the characters suddenly turn into Q faces, and then suddenly continue to fight. A sudden change in style can disrupt the emotional direction of the audience. In contrast, this work handles the balance very well. There is basically no joke during the battle, but a dedicated battle. After the high-pressure battle, humor is used to reduce the pressure accumulated by the battle, and the overall rhythm is very good. It is very rare to tell a story from multiple angles. Whether it is story description or strategic thinking during battle, this play shows the thinking of "enemy" and "me" from different perspectives. The representative work of unilateral exploration is the "jojo" series. The audience follows the protagonist group and explores the unknown as the story progresses slowly. Book The play adopts a unique perspective, that is, the audience directly enters the battle without knowing much about the capabilities of both the enemy and us, and the audience does not even know the capabilities of our characters beforehand. All information is slowly revealed during the battle. It is very rare to infer what the opponent's ability is by switching the perspectives of both sides of the battle. The audience also joined the battle to analyze and think, which also brought a different kind of fun. There have been several attempts in "Fist Wishing Asura", but unfortunately, there are only a handful of people who can achieve the level of this show. One of the more prominent features of multi-level painting is the use of new technology in this play. A long-awaited high-quality work. This is especially true in battle scenes. When there is a high-speed moving battle scene, it is usually accompanied by a high-speed perspective rotation. We can roughly see that there are three different levels, 3D background, painted characters, and plane special effects. These three usually do not match each other with high precision. It was abandoned directly during the production, and instead the rotating lens and gorgeous special effects were used to show the visual impact. The overall dark tone of the work also helped to conceal the incompatibility between the three. The end result is a very smooth and gorgeous battle. There is no need to force hand-painted paintings, and everything must be three-dimensional. The final good-looking is the truth. The final conclusion of the philosophy of life will actually return to the question of how to live and how to die as mentioned at the beginning of the article. On the whole, there is actually a lot of Adler's psychology in the work. Generally speaking, it emphasizes people's subjective initiative as mentioned in "The Courage to Be Hated". The root of incompetence lies in the restraint of the ego, not in the real objective insufficiency of material things. As long as you figure it out, want to change, and choose the right path, you will be successful. As long as you find the right way, you can kill a super-class spell spirit even in the first grade. In Chinese philosophy, it is the unity of knowledge and action. Thoughts determine the direction to go, actions keep you stride forward. If you want to achieve your goals, you can't do anything. PS: Qihai Jianren, male god. What stands out is the play's use of new technology. A long-awaited high-quality work. This is especially true in battle scenes. When there is a high-speed moving battle scene, it is usually accompanied by a high-speed perspective rotation. We can roughly see that there are three different levels, 3D background, painted characters, and plane special effects. These three usually do not match each other with high precision. It was abandoned directly during the production, and instead the rotating lens and gorgeous special effects were used to show the visual impact. The overall dark tone of the work also helped to conceal the incompatibility between the three. The end result is a very smooth and gorgeous battle. There is no need to force hand-painted paintings, and everything must be three-dimensional. The final good-looking is the truth. The final conclusion of the philosophy of life will actually return to the question of how to live and how to die as mentioned at the beginning of the article. On the whole, there is actually a lot of Adler's psychology in the work. Generally speaking, it emphasizes people's subjective initiative as mentioned in "The Courage to Be Hated". The root of incompetence lies in the restraint of the ego, not in the real objective insufficiency of material things. As long as you figure it out, want to change, and choose the right path, you will be successful. As long as you find the right way, you can kill a super-class spell spirit even in the first grade. In Chinese philosophy, it is the unity of knowledge and action. Thoughts determine the direction to go, actions keep you stride forward. If you want to achieve your goals, you can't do anything. PS: Qihai Jianren, male god. What stands out is the play's use of new technology. A long-awaited high-quality work. This is especially true in battle scenes. When there is a high-speed moving battle scene, it is usually accompanied by a high-speed perspective rotation. We can roughly see that there are three different levels, 3D background, painted characters, and plane special effects. These three usually do not match each other with high precision. It was abandoned directly during the production, and instead the rotating lens and gorgeous special effects were used to show the visual impact. The overall dark tone of the work also helped to conceal the incompatibility between the three. The end result is a very smooth and gorgeous battle. There is no need to force hand-painted paintings, and everything must be three-dimensional. The final good-looking is the truth. The final conclusion of the philosophy of life will actually return to the question of how to live and how to die as mentioned at the beginning of the article. On the whole, there is actually a lot of Adler's psychology in the work. Generally speaking, it emphasizes people's subjective initiative as mentioned in "The Courage to Be Hated". The root of incompetence lies in the restraint of the ego, not in the real objective insufficiency of material things. As long as you figure it out, want to change, and choose the right path, you will be successful. As long as you find the right way, you can kill a super-class spell spirit even in the first grade. In Chinese philosophy, it is the unity of knowledge and action. Thoughts determine the direction to go, actions keep you stride forward. If you want to achieve your goals, you can't do anything. PS: Qihai Jianren, male god. It is the unity of knowledge and action. Thoughts determine the direction to go, actions keep you stride forward. If you want to achieve your goals, you can't do anything. PS: Qihai Jianren, male god. It is the unity of knowledge and action. Thoughts determine the direction to go, actions keep you stride forward. If you want to achieve your goals, you can't do anything. PS: Qihai Jianren, male god.
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