The elements of a commercial film are basically there, and it is quite a full play. It's just that the rhythm of the literary drama between the hero and the heroine in the middle section stretches the hips. The aforementioned plot has too little foreshadowing for the relationship between the two people. The paragraphs of the literary drama are too long, and the rhythm and the whole film obviously escape. After passing the game in the front, and looking for clues later, it is generally okay, paving the way for the traditional humanistic spirit: man, family, responsibility. The return of the prodigal son is always admirable. As a fun film, the supporting roles should be bright, unexpected, and full of ingenuity. It would be nice to give those killers some more time, such as the bedside knife and axe player who played the most times. He should have been very good, but it turned out to be all the ghosts of being beaten. Still silent.
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