At that time, I was still obsessed with the modern sage and Little Red Riding Hood of Taiwan cartoon world. Of course, the real-life version of the disguised geek let me see the birth of Ma Jingtao No. 2 (Jim Carrey's American exaggeration is really hard to bear), and the chipmunk is still the same cute.
In my impression, the beginning of the drama version was a snowy Christmas. The single male protagonist picked up a baby basket at the door of the house, and the three little chipmunk babies fell asleep quietly.
In the film, the hero David turns into an unwilling musician, and Chipmunk makes it usher in the second spring of his career.
Compared with the kindness and desirelessness of single men in TV series, the movie is obviously much more realistic. Even on a pouring rainy night, chipmunks are only taken in because they can sing "moving" tunes.
My evil guess: With a single otaku's hobby of stealing cookies and throwing musical instruments, if the chipmunks can't sing, even being drenched in the rain into a robot cat won't arouse David's kindness.
Well, it's very Grimm's fairy tale tune.
Of course, this film still makes him a nice guy, among which, the treacherous role of the boss of the big villain record company is indispensable (a typical Hollywood-style good and bad guy, you can tell at a glance).
I'm very happy. In the end, the brand new David is back. From his rescue of the mouse babies, I can see that kindness is still deep in my heart (although this change is a bit abrupt), "they are just children", this sentence is really heart-warming .
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