Watching Steve Jobs is a brain-sucking and nerve-wracking affair (especially without subtitles). The two-and-a-half-hour movie is full of dialogue, dialogue and dialogue from beginning to end, and the speed of speech is fast. Occasionally there are typical Danny Boyle-esque flashbacks inserted, and the tempo is like a storm, and there is no breathing room. This is the strong style of screenwriter Aaron Solkin's theatrical film. Compared with "The Social Network" and "News Room", which he wrote before, this film has a new high in terms of language density and speed. The film is actually a three-act play -- the entire film chronicles the forty minutes before the start of three of Jobs' major product launches in 1984, 1988, and 1998. The three acts from start to finish are all about Jobs' bickering and bickering with his partner, engineer, CEO, ex-girlfriend and daughter. Everyone wanted something from him, but he paranoid and rude refusal to everyone. In the first two scenes, I didn't have a good impression of Jobs, a person who was completely ignorant. It was not until he appeared in 1998 that he finally learned a little tolerance, a little love and kindness. (Although the reconciliation with my daughter at the end is still a bit overdone, I think) I believe this is an excellent movie, and the complex and tangled inner world of Steve Jobs may be the best presentation to date. But Fassbender, who doesn't look like Jobs at all, is still a bit out of character, and we always see Fasha instead of Joe God in the first half of the play. On the contrary, Kate Winslet is very good, this supporting role is very full of heart, the golden ball should not be bad for her.
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