As a movie fan of Men in Black, I don't know which one is wrong, knowing that the fourth film has collapsed, I have to challenge the limit of self-endurance on a beautiful weekend night. The three series of "Men in Black" movies and an animated series have created a wave of comedy science fiction films around the world. The success of "Men in Black" is recognized as alien contact that is different from the zero-sum game of Cold War mentality, creating a relaxed and harmonious alien contact culture. The aliens and earthlings in the men in black are no longer you to invade me, I am to attack your doomsday theory zero-sum game relationship. The aliens standing at the top of science and technology lowered their bodies and tried their best to disguise themselves as ordinary earthlings, maybe some of them were pugs. Under the condition that the people on earth do not notice, do not panic, and are not afraid, the earth and aliens live harmoniously and peacefully together on earth. The elites of earthlings are neither just supermen defending the earth, nor astronauts who go to space exploration. They put on black clothes to help aliens live peacefully on earth and become policemen to manage aliens. The aliens in the men in black are as good and bad as the people on earth. The key is that the men in black subvert the imagination. It turns out that the aliens may be just like us. There is no grand and magnificent Star Wars in the lives of aliens, only the trivialities of calm as water. The extraterrestrial humor in Men in Black is never spoofed, and it is surprising and admirable with its rigorous alien design. Maybe a big star or an inconspicuous neighbor is an alien visitor. In addition, men in black are full of American pop culture elements and strive for retro feelings. The film draws on the concept of "Forrest Gump". Forrest Gump's life and major events in modern American history are cleverly overlapped, thereby successfully stimulating nostalgic feelings and having a huge emotional resonance with audiences of all ages. The eccentricity of the men in black makes the celebrities disguise themselves as American celebrities or participate in major events in American history. This is not only a manifestation of the alien conspiracy theory unique to the United States, but also an exaggerated way to break through the imagination. The historical events are reproduced, while the audience is immersed in nostalgia, it opens up the space for imagination, and successfully integrates the future and the past where the future imagination and the past are essentially conflicted. "Men in Black" was a worldwide box-office success and elevated Men in Black as part of American popular culture. The birth of "Men in Black" is a product of the historical era. The earth said goodbye to the apocalyptic Cold War and entered into the global economic integration. People of different clans, religions and cultures on the earth coexist harmoniously.
To say that the logo of "Men in Black" is the product of eccentric imagination - it looks like an antique flashlight, but in fact it is a memory modifier of future technology products, and at the same time has the most eccentric past and future of Men in Black. The props of a sense of humour have become a dispensable existence when they are used in the global pursuit. In "Men in Black 1", old K uses memory modifiers cautiously, and J has a humorous section that does not use modifiers to deceive people. At the beginning of the film, the Eiffel Tower can obviously not be used, and H has a blinding operation. Rare is precious, and classics are precious because they are rare. A major feature of bad sequels is that they can't make new content. They can only recklessly fill in the deficiencies with bad classic elements, flooding the classic elements until the audience is disgusted and resisted. In the competition with the elite representatives in the interview of the classic episode J of "Men in Black", unconventional moves to move the table and shooting the little girl are all screen classics that fans talk about. The first climax of the film reproduces the interview of Molly, the protagonist of J's interview, and replaced the character building with a bunch of empty and boring dialogues and easily passed the interview of the man in black. Interesting interviews are an inseparable part of Men in Black. This film abandons the classic inheritance and turns disgusting loyal fans. Molly was a complete failure in casting, and Will Smith gave people a feeling of being unreliable, but he was always able to play the magic of turning the tide in extremely critical moments. This Molly had a cool expression on her face, as if she knew all about the world of the man in black. It didn't play a role in the contrast and contrast of the newcomer J Liu's grandma entering the Grand View Garden. The aliens with different images appearing in the headquarters continue that the big celebrities on earth are all aliens, and the balls that cannot be touched are the classics of men in black, but because the actress's face is so deep and unsurprising, it is nostalgic. The feeling is completely lost, even boring, and it feels like a cutscene of a classic bridge. The film is bad, and the credit of the female lead occupies half of the country. The super-high-speed train from the United States to Europe in the opening is a copy of Musk's underground high-speed train design.
The pairing of K and J represents both conservative and liberal American cultures. K is a typical American traditional tough guy who is unsmiling and willing to sacrifice himself for the righteousness of the western cowboy pioneer. J is an American in the new era, multi-ethnic with a new pioneering and innovative spirit and not abiding by conventions. "Men in Black 1" was released at the time of the Clinton administration's information highway era, and the world entered the PC era. From this perspective, K is also regarded as the representative of the old industrial economy, and J is regarded as the PC economy of the globalized Silicon Valley. The skin tones of both illustrate this very well. What does the M and H partner represent in this film? M for black minority and H for white supremacy? I'm afraid the screenwriter didn't think about why the men in black became part of the American culture of classic Hollywood sci-fi films. The character setting blindly follows the ideological trend of Hollywood black starring, I am afraid that I forgot that the first starring in 1997 was a black actor. The creation is kidnapped by morality and starring black people, but it is more like racial discrimination. H imitates J's condescending imitation everywhere, but can't grasp the essence of the characters. J is a rookie rookie who is primary in contact with the new world of the universe. It is understandable to make a joke and make a mistake. H is a veteran, known as the best man in black in the European branch, and a cynical playboy. Even in the ending, he insisted that he was useless and did not see the shadow of the past. Moreover, the peak glory of the past was a brainwashed failure.
In the first action scene, the alien hiding from the laser is an ugly imitation of the Matrix, turning a car into liquid metal is an imitation of Terminator 2, all of which are in the 21st century and still chewing on the sci-fi classics of the 1990s with relish. Lack of thought is like the desert Gobi due to the old and the old. The script is indescribable, the assassinated alien royal family, the alien villain, the interstellar weapon is the key gem, the screenwriter copied the first one completely, and the plot is outrageous. Abandoning the familiar world around the audience, the United States, came to the desert city of the Middle East to experience the exotic customs. You must know that the characteristics of the men in black are that the familiar world hidden by aliens brings a new kind of cognition, and this play is inexplicably to experience the exotic style, and the original taste of the men in black is not left behind. H driving the flying machine through the desert undoubtedly made the audience feel the Star Wars scene. The female protagonist is cautious and at a loss from the inside out and doesn't know how to interpret the characters, as if she is afraid of letting go of the acting and losing her makeup to affect her beauty. Also inexplicably joined the emotional drama of the two, I am afraid that there may be only a combination of skin color and black and white. The fully-rendered security system of the city of death, the number one arms dealer in the universe, relies entirely on surveillance. Has the screenwriter's imagination degenerated to World War II? The fight scene between the two pairs of that woman is vulgar and unbearable. H was beaten all by one mouth to fight back. Did the director also stifle his imagination? The unexpected reversal was even more turbulent, and I even looked at it with a blank face. The foreshadowing at the beginning was just a waste of emotion for this reversal. Global Chasing has made itself a B-level film. The United States does not know how many garbage films it will produce in a year. I did not expect that the blockbuster man in black, which has invested hundreds of millions of dollars, can go through this cliché process. T came to clean up the mess and didn't call himself a traitor. The traitor of the man in black pretends to be suspenseful, and the villain in the team who is not pleasing to the protagonist is looking for trouble everywhere, all of which are vulgar plots. The screenwriter has rotten the cliché to every line in the movie. In the first scene, the ubiquitous chase tortures the audience, for fear that some audience will not know that they are paying tribute to the man in black when they watch it, and they will not feel sick or nauseated after watching it. After watching it for more than an hour, there should be an exciting choppy climax at the end! As a result, the level of bad film is carried through from beginning to end. The worm star with a human skin on the iron tower, the protagonist's magic trick finally played a role and saved the world. The laser gun blasted the villain into pieces. To be honest, every detail of the ending scene was perfectly copied from the first part. At the end of the classic, I copied the classic script for my use. If it were not for the same series of movies, it would have become a blatant plagiarism.
In the whole film, the heroine's emotions, sorrows, and joys are all insensitive and expressionless, but it's not that I discriminate against my words, it's the only thing she deserves to be the lead actor is only her skin color. The second and third episodes of Men in Black are not satisfactory, but the wonderful performances of the leading actors have propped up the film's reputation. Thor is a perfect performance in Global Pursuit. The plot forced the prodigal son to come back and pay nothing, and every move made the audience have the illusion of watching the Thor. In the whole film, the male protagonist is all pointing out of one mouth, and he has not done one thing right. In the end, he was unanimously approved and promoted to the head of the branch. The only reasonable explanation I can think of is that the male protagonist is white. This is taking the opportunity to satirize white people. Only rhetoric will rely on seniority to win opportunities. It was the black people who saved the earth. In the end, the hero only got the reward of being a positive person. The sharp contrast between the two highlights the unfair treatment. Destroying the classics so thoroughly, overturning American popular culture in one fell swoop, the director and screenwriter are no longer incapable of being a problem.
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