Haruki Murakami's works are not particularly good, not the kind that make people feel amazing at a glance, nor the kind of heroism that puts a particularly big perspective. His works are always small, at least in my view. In so many of his books, he mixed a lot of his own things in his works, jazz, cats, teenagers, he wrote about himself, anyway, as long as you read it, you can see at a glance that it was written by him , this familiar feeling is like an old friend. His works have a particularly strong sense of youth. He seems to be the kind of old man who will never grow old. Despite the ravages of time, his words are still childish. For example, in the movie "Feed the imaginary cat", I don't know. How did this old Japanese man who was born at the end of the Second World War do it? This is the envy of many girls who want to stay young forever.
Back to the movie, if it wasn't in Korean, I almost thought it was made in Japan, the Murakami taste is too strong. I have seen a lot of comments discussing the class issue mentioned in the movie, and some people even say that the story is too straightforward. In fact, I don’t feel that the movie is discussing much class issues. When young people look at middle-aged people, they don’t realize that class, but a kind of barrenness. This kind of barrenness is deadly, it can make you lose your courage, when you are twenty years old and you are still worrying about where there are cheap and delicious restaurants and what to write in your novel, you see middle-aged people driving Porsches Living in a big house, listening to music and making spaghetti, you can't imagine yourself at 40 years old. When you see your beloved girl having such a good time with each other, you will start to be confused, and you can only mute, don't know In addition to the warmest love can give each other what. She would cringe, be quiet, and just watch her happy. In this way, you will be envious of middle-aged people, not their spending money, but their macroeconomics. The courage of young people is to take risks, and the courage of middle-aged people is to have the resources to pave a long, long way in their lives. They seem to be able to do whatever they want, like burn a barn. It can't be said that all young people will understand this feeling, but all young people who understand Haruki Murakami will definitely understand.
The gloomy blue sky, the afterglow of the setting sun, and the north-facing house that will only be exposed to the sun for a moment in a day are the whole life of the girl. She and Li Zongxiu have something in common, a sense of loss of control of life. In the movie "The Hungry", African Dance. There is a sentence in Lou Ye's "Summer Palace" called "I know that I am in the same situation as him", so Hae Mi said that Zong Xiu is the only and important thing in her mind, and she absolutely trusts him.
Is this story true? Probably, Haruki Murakami once again played a game of real and fake with readers, a virtual orange in his hand, a cat he had never seen before, a love he had only done once, a well with or without it, whether it was burnt or not. In the barn, Hai Mei disappeared suddenly. At the end, even the audience wondered if Hai Mei ever existed, but the clues from the watch and the cat seemed to deny the absurdity. This is life. The truth is not important anymore. The truth of the truth is the most important, the raging fire continues to spread, and the truth that has been constructed is proved through actions.
After I have known Murakami for a long time, I will have feelings for all these pictures. I don't know what Li Changdong's original video style was, but the pictures in the book are probably like this.
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