The importance of the truth was revealed at the last moment. It was almost a woman who disappeared in version 2.0, and this time it was a man who disappeared.
Hugh Grant has brought that kind of acting person to life with excellent acting skills (does this count as a pathological discussion of the actor's career?) The son is particularly natural. The level of beauty of the mistress is very worth derailing, and Taylor once again performed the dehumanizing feeling of a capitalist. All in all, it's all good, just a little bit worse than Big Little Lies.
The truth is revealed layer by layer, the dog is actually my sister, and the murderer is not actually me. Anyway, everything is done by others. Extreme denial, extreme narcissism, plus watching Yiyi these days, humanity looks at the abyss, and the abyss also looks at you.
Emotion.
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