ready or not The screenwriter/actor doesn't understand the male protagonist at all, but Kishimoto understands it. The male protagonist holds the female protagonist's face and asks "you will leave me after all, right?" is the only moment that can save this headless popcorn. The male protagonist is not afraid of death, and he has never cared about his family, he is just The simple nature of selfishness forces Liao to stop? - and selfishness is unique. The most self-interested thing in his imagination is that the heroine will never change to his own death. So, if honesty might make the heroine leave him, he keeps silent; if the heroine will marry someone else if he doesn't get married, he is determined to get married - even if it may lead to a bloody night. And these are all signs - when it is confirmed that the heroine still wants to leave, he must confess, "She's here!" is a confession, and confession is to commit more sins in hell.
Aunt said that only the male protagonist has seen the demon on the chair. Is that a meeting? Or is it just a reflection of the hero's self? In this blue-blooded family full of mortal characteristics, ignorance and madness, in fact, he is patient zero, the only devil who looks like a fake. The devil never cares about she's alive or happy, the only thing that ever matters is, she's here, with me. Therefore, even in death, even in necrophilic sacrifice, it cannot be separated - Satan As one promise is worth a thousand dollars, he responded to the heroine's self-confidence in taking the mirror before marriage, "to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness, in health, to love and to cherish, till death do us part.”
The wedding details were omitted at the beginning, but in fact, everyone heard his marriage vows, which were only two words. He held the heroine's face and whispered "without you...", without you, nothing, so till death do us part.
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