Finished the two parts of King Baahubali. Among them, the female characters are really brilliant, and they are dazzling even if the male protagonist keeps hanging up. When the heroine Avadika appeared on the stage, she had dark skin and rough clothes, and was chased by a group of soldiers. I thought that the old routine of heroes saving beauty would appear in the next second. kill. Handsome posture, ruthless eyes, decisive strike, heroic and valiant. At that time, the male protagonist watched the whole process, but there was no chance to appear at all. I haven't seen such a powerful female character on the screen for a long time, it's really cool. You can read the anger in her eyes. Anger is often the prerogative of the strong. The emotion of general anger is rarely arranged in female characters, and even if there is, it will rarely burst out with such a shocking sense of power. Women's anger is often limited in posture, weak, tactful, calm, submissive, like anger but not anger, like anger but not anger, and the anger of women who are between anger and petty temperament is portrayed as someone who asks men for resources. means. Thus, female anger is weak, playful, innocuous, the harmless result of being rigidly limited in scope and strength. But Avandikar's anger is firm, resolute, powerful and intimidating, and cannot be ignored or dismissed. It's just that such an overly powerful female protagonist does not conform to the mainstream patriarchal aesthetics, so when the female protagonist encounters the male protagonist, she will turn into softness around her fingers, and the beauty of makeup has risen by more than one level, which greatly satisfies the majority of Men's imagination of women in the hall and kitchen. This really leaves me speechless. There are also two other attractive female characters in the play - Queen Xi and Princess Ti. One thing they have in common with Avadika is that they have a pair of breathtaking and powerful eyes. Their eyes were so bright that if ordinary men stood in front of them, they would not dare to look directly into their eyes. I have rarely seen this kind of look in Chinese women. Occasionally, in some ancient dramas with superb acting skills, there will be such a splendid brilliance that they dare not look at them. But the kind of city government and coercion that seems to have been soaked in power for a long time, once the power is lost, it will be weak and helpless. Women in Baahubali have a hard texture like walls, iron, and pillars, regardless of whether they are rich or poor. This hardness has nothing to do with their looks, their power, and their men. What gave them the confidence, determination, courage, courage? This is a bit incomprehensible to me. But in fact, there is a million little envy.
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