I didn't understand love stories before, but now I seem to understand a little bit?
What made Nasha Ali lose his faith in life was the passing of love, not the destruction of the violin.
Originally, although he couldn't marry the girl he loved, every time he played, he was meeting that girl. This girl has never changed in his heart, in the sound of his piano.
But Yilan's pretended disapproval made his heart die. Also lost the idea of living.
He played all his life for that girl, to meet that girl again in the sound of the piano. Now that girl has given up on him and his memories, what's the point of his playing.
I saw Yilan's heart-wrenching cry after turning to the wall, which resonated with me vaguely. I won't become like that one day, will I? Then I would rather cut off all contact in advance, I am afraid of pain.
Master said that life is a breeze, a breath, and it is this breath that you want to grasp.
But before he broke up with Yilan, there was no such breath in his piano sound. On the contrary, after being rejected by Yilan's father, he began to have it. Does that breath mean pain? Can only pain make a good artist? I'm now wondering if this movie is lying to me. After watching Stephen Chow's "God of Cookery" when I was a child, I always believed that I had mastered the practice of urinating beef balls. When I grew up, I realized that it was just an artistic description. Literary and artistic works are not documentaries, they are not based on realism.
So the meaning of this sentence in the film is to say that playing needs to feel the fluctuation of life. And Nasha Ali had part of the idea of committing suicide after separating from Yilan, which made him have another understanding of life? So we can play music that contains the breath of life.
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