1. Estella is a fairy, who can hold it? At the beginning of the fall, the lips and tongues by the pool were intertwined.
Water, seduce, tease. These elements can not help people automatically index the Greek mythology of the banshee, Siren. She would sing charming songs to lure ships passing by her island to approach. When the crew heard the most poignant melodies in the world, they often fell into a state of madness, and jumped into the sea on their own initiative, and were eventually involved in the deep seabed. Just like Fein, his life begins a sweet doom. In the three seductions and teasing, Estella was careless, at ease, and detached; Fein was gradually falling in love, unable to extricate herself, and was obsessed with obedience. One is by the pool in childhood, one is the first date of the two as adults, and the other is a nude portrait of the reunion in New York. Every start and end starts with Estella's sudden appearance, ends with abrupt interruption, and ends with a drift away. Estella's love network has long been opened. She grew up with a strange aunt and was trained to be a tool of revenge, playing with men's stunners, and controlling this unsuspenseful emotional game. Fein is nothing but the whetstone her aunt chose, the snake's prey, and the little mouse. 2. About Fein. Rather than saying that he is pursuing money, status, fame, and Estella, it is better to describe him as "actually, what I really love is my own pursuit of TA". From beginning to end, the two have never been evenly matched and evenly matched. This is also the reason why this film failed to become a classic. It is not that the audience is mentally ill, and the ending is not happy, nor is the tragedy more touching, but it is distorted. Because, in reality, the fate of licking a dog is always nothing. 3. The whole film highlights. The only time Estella opened her heart was when Fein ran into the taxi barefoot when she left after painting her portrait. Her confession: F: What is it like not to feel anything? E: Let's say there was a little girl, and from the time she could understand, she was tought to fear… Let's say she was tought to fear daylight, she was tought that it was her enemy, that it would hurt her, and then one sunny day, you ask her to go outside and play, and she won't, you can't be angry at her, can you? F: I knew that little girl, and I saw the light in her eyes. And no matter what you say or do, that's still what I see. E: We are who we are. people don't change. This is the most desperate line in the whole movie, Estella said, "We are still who we are, people don't change." will change". At this moment, Estella is like a black hole that can devour all light and any matter, with the helplessness of star collapse and collapse, but also has an irresistible attraction, with a sense of fragility and truth, fatal and charming. At other times, she is free and arrogant, like a demagogic fairy, confusing the world, and she returns to the mountains and forests. 4. Fugitives . At this moment, Estella is like a black hole that can devour all light and any matter, with the helplessness of star collapse and collapse, but also has an irresistible attraction, with a sense of fragility and truth, fatal and charming. At other times, she is free and arrogant, like a demagogic fairy, confusing the world, and she returns to the mountains and forests. 4. Fugitives . At this moment, Estella is like a black hole that can devour all light and any matter, with the helplessness of star collapse and collapse, but also has an irresistible attraction, with a sense of fragility and truth, fatal and charming. At other times, she is free and arrogant, like a demagogic fairy, confusing the world, and she returns to the mountains and forests. 4. Fugitives
For Fein, if Estella is a peachy and beautiful garden dream, then this legendary fugitive who has lived in exile twice is nothing more than a dream.
5. Summary When the joyous field becomes deserted, when old love becomes new love, when memory and reality overlap, life will eventually wake up again. Fein's pursuit is more about "money, power, sex, interest", the first level of life; Estella is more inclined to the third level of "quiet, loose and ethereal". Coupled with the second level of "benevolence, righteousness, propriety, wisdom and faith", it constitutes three levels of life, material, spiritual, and spiritual. They correspond to different life dimensions, different life forms, and different ways of thinking. How far can each of us go?
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