The double-nested format in the play and content is really nice and worth learning. First, take a paragraph of Balang (cum "servant") and the owner and his wife swap roles, the former is in a car, the latter is driving a carnival scene and then turns to the car and hits a person, and then snaps to deny the beginning of the story, from The story begins with a letter from a prominent Indian entrepreneur to the Prime Minister of another country because he was visiting Bangalore. That is to speed up the rhythm, but also leave some suspense points, so that everyone is willing to pursue it. What kind of story is this? A story of reconciliation between the people at the bottom and the people at the top? Or do you want to write a letter to answer this suspense and tell him the real grievance?
So a story of a black and humorous Indian poor who "actively" "promoted" to the upper class began. The reality and cruelty make people not hope that the society can be so unbearable, and it is rare to show the world the so-called so-called the "caste system". The master chosen by the servant, Akesha, was educated in a Western style. Barlang once thought that he had reached a balance with Akesha or that there was no class difference, but Akesha’s Westernization was still unable to resist what the Indian family brought him. Domestic enslavement, that conflict and contradiction manifested in Aksha, and naturally in his treatment of his most loyal servant. Going back to the scene where they killed people at the beginning, Ballang dealt with everything calmly, but Akesha's father and elder brother still demanded Ballang to take the blame. Tears directly shattered all of Ballang's hopes. In fact, if it was me in the overhead shot here, it would be Barlang coming out of a luxury hotel apartment, habitually bypassing the golf course to the slum in the upper left corner, and then starting the subtitle dialogue, which may reflect the tearing of Indian society even more. A sense of disunity and the kind of slack that classes can never agree on.
So, what should the lower class do if they want to turn over? The film gives two answers. The latter is the goal that servants look at on the poster from childhood to adulthood, and the former is the path chosen by Barran himself. Before the Aksha family wanted to replace him, he killed Aksha, who had hoped for him, took his money, opened the Aksha taxi company, and used the alias Aksha. The "outsourcing" Kesha taught him was actually a method of emotionally "slaving" others to work for him, and step by step he achieved the status of a rich man in Bangaro. However, such a person is still not recognized by the mainstream society. In fact, he is still active in his so-called class. He wants to use this letter to enter a higher class and accept the recognition of the past, but it is impossible or not. In reality, he was left out in the cold and could only say one sentence, the future is the era of browns and yellows, and then he continued with the end of the letter, and the whole film was over.
The malleability in the content is that the thought that being a loyal servant can change one's mind was stifled, and as a result, he chose another path, and his career in politics was no show. Where is the way out for the people at the bottom of India? There is actually a lot to discuss. Bollywood has finally returned to Bollywood's own style after trying the road of Hong Kong films for a few years.
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