Black and white light and shadow

Misael 2022-03-22 09:01:34

For black and white films, I always feel that we need to appreciate them from different angles and viewpoints in order to feel the infinite charm brought by black and white films. Black-and-white films are still influencing and playing with modern films in a century-old attitude, so the cultural heritage precipitated by black-and-white films must also be perfectly and properly preserved. The continuous shuffling of the major film companies is a good proof. Although the era of shining light and shadow and silence has passed, it cannot be denied that there was a glorious page in the history of film.

There are two highlights in the film: 1. I admit that the concept of Xi Fat is playing well: exchange killing (but it is also from the novel). 2. Spectacle lenses reflect the footage of the murder scene.

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Extended Reading
  • Kameron 2022-04-22 07:01:08

    I really embarrassed the scene where the police shot an innocent person. In the early Hitchcock movies, the plot was not very eye-catching, and it was a bit abrupt. The fight on the merry-go-round was definitely a classic in film history.

  • Fernando 2022-03-27 09:01:04

    There are two clips that can be used as textbooks. tennis. Carousel. Every Fat Man movie has its awesomeness.

Strangers on a Train quotes

  • Bruno Anthony: That reminds me of a *wonderful* idea I had once. I used to put myself to sleep at night - figuring it out. Now, let's say that - that you'd like to get rid of your wife.

    Guy Haines: That's a morbid thought.

    Bruno Anthony: Oh, no, no, no, no. Just suppose. Let's say you had a very good reason.

    Guy Haines: No, let's - let's not say...

    Bruno Anthony: No, no! Let's say. Now, you'd be afraid to kill her. You'd get caught. And what would trip you up? The motive. Ah. Now here's my idea.

    Guy Haines: I'm afraid I haven't time to listen, Bruno.

    Bruno Anthony: Listen, it's so simple, too. Two fellows meet accidentally, like you and me. No connection between them at all. Never saw each other before. Each one has somebody he'd like to get rid of. So they swap murders.

    Guy Haines: Swap murders?

    Bruno Anthony: Each fellow does the other fellow's murder. Then there's nothing to connect them. Each one has murdered a total stranger. Like you do my murder and I do yours.

  • Bruno Anthony: You think my theory is okay, Guy? You like it?

    Guy Haines: Sure, sure, Bruno. They're all okay.