umm what to say? It feels like it may have been a human sacrifice work by accident. I thought it was his son who actively wanted to do it. In fact, he did not want to do it and refused others to fail and was taken over? If you follow the novel process in a normal way, it may also be a calm and atmospheric work. After reading the introduction, the novel should be a growth story with a lot of content to tell. You can also make up for the completion of the old man himself, but it may be that you missed the most important thing ever. Passionate age? Or do you need to look at your mood and seek a state of the most active willingness? Maybe he knows he doesn't have the passion he once had? Is there anything better than it used to be? Wouldn't it be the best encounter ever at the right time, even if it did? Emm is a perfectionist locomotive. It's really hard to describe this kind of hypocrisy in words?? (It's really uncomfortable to use without a dog's head~). I guessed it roughly, and then my son volunteered to take over and entrained private goods. . . At the beginning, there are shadows and the villain's setting of wanting life. At first, I thought he used a lot of previous elements to imitate want to be popular, but why didn't the hostile father find another way to make his own style, and then I thought it might be simple I want to express the feeling that my father would make in my heart (that kind of clumsiness trying to get closer to restoring other people's painting style, in fact, it is self-defeating, because in terms of design, the repeated use of the same elements will reduce the freshness), I want to prove myself , but in fact, there is no need to surpass, just be yourself. At the beginning, you may indeed feel that successful works have their own successes, ordinary works are similar and ordinary, and the story is not exciting enough~ But later, I may feel that it may not be the best. The smart style can become the "material" of his father's heir, and it's okay to be his own story. In fact, it's just a work for himself, his father's viewing, not for fans. It's just a pity that the original author's expectations were not met, but it was also her own rejection of others for 30 years in the early years. But as far as the movie is concerned, the only bright spot may be the beautiful CG scenes in those scenes, which are indeed grand, but the flow of the story seems to be inconsistent with those pictures. . . I ordered it a year ago and wanted to watch it. Recently, because of the controversy caused by the fuse of the harem, I saw a post by Hayao Miyazaki in the goose group saying that he was in the garbage industry. The masters are indeed strong and confident. The works have an ingenious balance between ideal and reality, maturity and innocence. In fact, it is not the grand themes that attract me the most, but the sincerity of striving for perfection. Well, I didn't deny the beauty of my 2D animation because of the development of the times, and stick to it as always. Now his era is over, and I didn't watch the beautiful animation, and then I remembered him At first glance, my son's animation is beautiful, sigh, maybe the torrent of the times can't stop it, and I have always been confused about the choice between Yangchun Baixue and the Xialiba people. This is probably the eternal contradiction between spirit and carnal desire. It is the same choice as the evolution of civilization. The inconsistency between the historical choices of DNA evolution, the development of civilization denying vulgarity or something is just for the needs of social security, but carnal desire is retained in the genes due to reproduction and survival. In fact, it shouldn't be blamed on the individual (Whisper BB: Although I often like to watch the reverse harem, if I have to stand in line, I will still choose it♀️, remember to call me when there is an uprising ~ rise up and attack it in groups, there is a fuse in the Balkans That smells~). Of course, I didn't completely praise Gong Lao. His most satisfying "Hal's Moving Castle" is also my favorite. I haven't changed my mind because the box office popularity is not as good as others. But I just accidentally learned that it was Mamoru Hosoda who guided him in the early stage and later took over by himself, but in fact, there is a gap in the handling of the plot before, during the middle and later stages of the Moving Castle. At the time, the war theme felt that the turning point was a bit blunt, and then I discovered that Mamoru Hosoda directed another favorite "Girls Through Time and Space". . . emm is more fluent (so I boldly speculate that maybe I prefer the first half of Moving Castle because he took over ( ˘•_•˘ )...), so I may not like Hayao Miyazaki as much as I imagined. . . Maybe what I like is not the movie itself, but the beautiful remaining pictures of the hero and heroine jumping on the roof of the field, the cute straw prince changing the castle gate and so on. Let’s still look at the story. Many storytellers don’t realize it. The essence of success is imitation or the picture is second (of course, the interpretation itself also has an impact on perception), but the essence is the story. (The idealization here ignores the catering for money and the market, and focuses on the artistry of the story itself) Although I often like to watch the reverse harem, if I have to stand in line, I will still choose ♀️, remember to call me when there is an uprising ~ rise up, rise up and attack, it smells like the fuse of the Balkans~). Of course, I didn't completely praise Gong Lao. His most satisfying "Hal's Moving Castle" is also my favorite. I haven't changed my mind because the box office popularity is not as good as others. But I just accidentally learned that it was Mamoru Hosoda who guided him in the early stage and later took over by himself, but in fact, there is a gap in the handling of the plot before, during the middle and later stages of the Moving Castle. At the time, the war theme felt that the turning point was a bit blunt, and then I discovered that Mamoru Hosoda directed another favorite "Girls Through Time and Space". . . emm is more fluent (so I boldly speculate that maybe I prefer the first half of Moving Castle because he took over ( ˘•_•˘ )...), so I may not like Hayao Miyazaki as much as I imagined. . . Maybe what I like is not the movie itself, but the beautiful remaining pictures of the hero and heroine jumping on the roof of the field, the cute straw prince changing the castle gate and so on. Let’s still look at the story. Many storytellers don’t realize it. The essence of success is imitation or the picture is second (of course, the interpretation itself also has an impact on perception), but the essence is the story. (The idealization here ignores the catering for money and the market, and focuses on the artistry of the story itself) Although I often like to watch the reverse harem, if I have to stand in line, I will still choose ♀️, remember to call me when there is an uprising ~ rise up, rise up and attack, it smells like the fuse of the Balkans~). Of course, I didn't completely praise Gong Lao. His most satisfying "Hal's Moving Castle" is also my favorite. I haven't changed my mind because the box office popularity is not as good as others. But I just accidentally learned that it was Mamoru Hosoda who guided him in the early stage and later took over by himself, but in fact, there is a gap in the handling of the plot before, during the middle and later stages of the Moving Castle. At the time, the war theme felt that the turning point was a bit blunt, and then I discovered that Mamoru Hosoda directed another favorite "Girls Through Time and Space". . . emm is more fluent (so I boldly speculate that maybe I prefer the first half of Moving Castle because he took over ( ˘•_•˘ )...), so I may not like Hayao Miyazaki as much as I imagined. . . Maybe what I like is not the movie itself, but the beautiful remaining pictures of the hero and heroine jumping on the roof of the field, the cute straw prince changing the castle gate and so on. Let’s still look at the story. Many storytellers don’t realize it. The essence of success is imitation or the picture is second (of course, the interpretation itself also has an impact on perception), but the essence is the story. (The idealization here ignores the catering for money and the market, and focuses on the artistry of the story itself)
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