In terms of plot: the heroine Lidia wanders away in the city, as if looking for something. The life of the hero Pontano revolves around his career, his new book, and encounters with strange women that may appear anytime, anywhere. Lidia and Pontano don't have many rivalry scenes, they are polite, restrained, have their own concerns, and have no love, but they also imply requirements and restraints for each other, and a little dissatisfaction. Is this love? Oh as if it was love, love as they understood it. Photography: Antonioni is a director who is very good at using long shots. He refuses to use editing to control the rhythm and mood. He only believes in his pre-shooting and uses a very long shot to control every scene, every action, every scene. Every mood, every rhythm, is perfectly matched by Antonioni's scheduling design, and the film begins to develop a unique atmosphere. Elements: The elements of architecture are particularly prominent, modern buildings, dilapidated and dangerous buildings, luxury villas in the dark, people and buildings are integrated in the picture, forming a very harmonious relationship. Complement each other. Impressive point: One is when Lidia and Pontano were chatting in a small bar, a pair of black dancers were dancing a dance, accompanied by jazz, very stylish. Another point is that when Lidia read a love letter to Pontano, Pontano asked: Who wrote this? Lidia said: It's you. In the end, the two embraced each other. Pontano is immature, while Lidia is very passive. Rather than being passive, she is more serious about love. Compared with Pontano, Pontano is like a guy who doesn't understand anything. Do what you want. Fuck this guy really looks like me. Attachment: I don’t know if you have ever felt this way, when you rely on the other person for your love, but feel that the other person doesn’t love you that much, this unequal relationship makes people feel like dying, maybe It's wrong to think that, but we don't know it, and we get lost in deep doubt and anxiety, draining ourselves. Adam Morton said in "On Evil": When a person wants to give up a relationship, she usually first chooses to deny that her love is true, so the final result is often: I don't love you anymore.
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