About the actor: I was fascinated by Alain Delon. The 32-year-old Alain Delon is no longer the image of "Sweet Brother". He is a cool and cool killer. Here you can see the traces of Alain Delon's army, and you can feel a little bit of Alain Delon's hard heart behind the confusing rumors.
About the director: The movement of the camera and the picture are amazing. The "loneliness" and "loneliness", "silence" and "quietness" of the actors in the long shot are accompanied by the sound of footsteps, birds barking, dogs barking, the sound of doors closing, and the sound of wheels outside the window...so empty and so cold. It quickly put me into a long period of emptiness, careful thinking, and the tension of the plot. Pause the picture, the composition of each frame is very particular, and it looks particularly comfortable.
Plot aspect: It's shocking to see the end, but the audience needs to do it by themselves. For those who haven't watched it, here are a few points: the female pianist compared to the employer's residence; the female pianist asks the killer to call her in two hours; the killer finally puts on white gloves in front of the bartender.
Don't be fooled by Alain Delon's beauty, tone and ruthlessness are just the surface, this is a suspense drama that lives up to its name.
Girls may not understand the show as deeply as boys. Out of the natural yearning for loneliness and loneliness, the unique beauty of film noir has been created.
So there will be some disagreements.
Maybe it’s because of the different historical backgrounds of different countries, or because the length of the movie is limited, and I personally don’t like the structure and background of the screenwriter very much.
I can understand his disappointment at the female pianist taking advantage of betrayal, but not the killer's emotional motives for choosing a career and driving subsequent actions. Feeling a little pale.
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