①The infinite reincarnation design of "Edge of Tomorrow" and "Happy Death Day", and more action elements of the real technology line. There is no too much elaboration on the so-called reincarnation technology, it is simple and refreshing as a cool film.
②The design and transition of the literary drama is a little stiff. If it can be like the "Edgar Wright" series with some audio-visual linkage experience, I believe it will be much smoother. In the B-level film, it can also be described as a first-line production level. It is really a pity to be buried by the unintentional translation.
③The packaging of classic video games in the 1980s brings a bit of retro joy to the movie, making the originally serious life and death issues more enjoyable to chew. The whole process of escape + exploration has many designs similar to the game, and infinite death can be said to be a real RogueLike (it can also be said to be a portrayal of black soul/blood and other death にゲー).
④Each killer who acts as a BOSS design also has some labelled comedy elements, especially when Roy, a female swordsman, is against Flag, but he has repeatedly encountered stuck points, and he has to learn martial arts from Michelle Yeoh. This part is really cheerful and happy. Sour.
⑤Frank Grillo's tough guy setting is a bit warm and very intimidating, and the last part of the real man's confession caused a lot of damage to the lacrimal glands, and he became a fan. Mel Gibson is really old and Naomi Watts is taking care of it so well,
PS So I'm thinking, I can kill you when you put a tracker in your teeth, why do you have to spend so much effort to assassinate it later? Still a little underwhelming...
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