Although I was seen by Amway, the "god-level acting" in the rumored opening ten minutes of childbirth, I personally am not very interested in that part (but I was really frightened).
The part where she quarreled with her mother was the highlight in my heart, and she deserved to be a drama actor. Maybe it's my preference to see the expression of uncontrollable emotions and anger in all movies, and this is one of the few moments in this movie where she shows her emotions.
Martha finally got the photos out, finally had the courage to let the wound heal, how she should feel when she saw the image of her lost daughter, and what kind of feeling would make her then in court determined to forgive the man who everyone thought was The midwife of the "murderer"? When I think about it now, I still feel that the motivation and presentation given by the film are too thin. Compared with the richness of the birth process at the beginning, the words in the court at the end seem to have become the director's wishful thinking.
I admit the possibility exists, it's just that what I've seen isn't enough to make a convincing motive.
If all this is Martha's difficult journey of gradually regaining herself in this loss, then the mother-husband rivalry is as bad as a new driver suddenly changing at a speed on the highway. Is it because of male directors? Anyway, it's not the women's movie I want.
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