This classic is so powerful that many movies now imitate it, and even the mental manipulation and mental violence of intimacy are directly brushed off by a new word pua, but they all originated under the gaslight in the end.
pua, has existed since ancient times. In fact, 90% of people live under the gas lamp without knowing it. They are puaed in intimate relationships (parent-child, spouse, and even friends), but the degree is very shallow, and it is not fatal or crazy. level. After all, Chairman Mao and his old man clarified the essence of interpersonal relationships in one sentence. Even if it is cooperation and mutual win, there is still a contest. Either the east wind will prevail over the west wind, or the west wind will prevail over the east wind.
In an intimate relationship, if there is no ego, it is easy to be pua without knowing it.
The heroine is also a smart, beautiful, rich, and independent woman, but she was almost driven mad by her husband, not because she was stupid, but because she lost herself and her vigilance, thinking that her husband would definitely not harm her. She's still pretty smart, and the detective wakes up a little bit. In the end, her husband tried to deceive her with rhetoric, begging her to let her go for the sake of love, but she refused decisively and sent her husband to the guillotine. Unlike some women in reality, outsiders are kind enough to point out, but they can't get it right. They think that outsiders are jealous of her, completely lost their ego, and die for their own fictional "love".
There's a bit of laughter in the video that kills me. The heroine's husband sealed the attic, and pretended to go out to the studio every night to compose music, then turned to his attic from the next building, and searched for gems all night long. Cong started to get married, and it took more than half a year to find it. ?
I am an egoist, someone with a strong ego, outside of the gaslight.
I am a selfish person, but whenever I am a little unhappy in an intimate relationship, I will make trouble. In the movie, I would never move back to the haunted house that I don't like for the sake of my husband's happiness. Not to be oppressed by the maid Nancy, who had already fired her eight times for being upset. She will not suppress herself from going out or holding banquets for the sake of her husband's happiness. I went out every day and sang every night, and sang every night.
Therefore, it is true that character determines fate.
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