"Jane Austen meets Gossip Girl, plus 70% of Fifty Shades of Grey." The actor summed up this restricted-rated Regency era love drama in this sentence. I don't think it could be more appropriate.
This is how you should shoot ancient love! ! It is undeniable that in ancient times, due to various social reasons, women were always regarded as men's appendages, property rather than people. Even in love stories, there are always heroes and beauties, men are captured by beauty and women are captivated by heroic character. But in our modern society, we should use our own language to interpret an ancient story. Men are free souls and women are stalwart bodies. It is the collision of two free and independent souls, the fusion of two bodies, the combination of spirit and flesh, light and heavy. Instead of some palace dramas, it is claimed that the big heroine, once a problem occurs, it is still up to the hero to solve it. The heroine's remarks were almost unbelievable at the time, and it was difficult to achieve. She asked the male protagonist to let herself have the right to choose, and she declared that her reputation had to be defended by herself. But this is the cry of modern women for their bound ancestors. In the end, the author gave the heroine a perfect ending and the support of her family, hoping that they would be happy if they chose to be free and independent. There seems to be more restrictive pictures in the show than in the same genre, and I enjoyed watching it. The married sex life from the female gaze perspective is really delicious. It was mentioned in "Second Sex" that women in the feudal period knew nothing about sex or had high expectations before getting married, and they were treated badly on the night of marriage, resulting in a large psychological gap and lifelong psychological problems, or Mistaking sex is a painful thing. Fortunately, the first experience of the heroine in this film was a happy one, and I was also very happy watching it. The three views of the play are not completely based on mainstream society. There, I thought the boxer would ultimately choose to stay true to his conscience, but the author asked him to choose family over honor, and through the party seemed to agree with that. But whether the end of the master in the end means that the couple may also suffer misfortune, I don't know. The last two points I am not very satisfied with, about the biggest foreshadowing Lady Whistledown, I don't think I can be very persuaded. And the male lead actor's acting skills are completely abused by the female lead actor, and the emotions of happiness and anger are okay, but when the male and female leads analyze each other's feelings, it is difficult for the male lead to show a rich performance, I can only see His superficial expression, unable to read his mood. Another example is when his wife gave birth at the end, I couldn't see him being nervous and anxious, and even felt like he was acting handsome the whole time. At this point, Big Brother's actors have done a great job, showing the entanglement and contradictions of Big Brother. (But the body is still very fragrant, so I am just making a little suggestion and not complaining. The handsome black man has been hard to find since ancient times. I cherish it)
View more about Bridgerton reviews
