The rhythm of the film is characterized by a slow front and a fast back. The first half of the movie shows the heavy and slow geographical atmosphere of Alaska all the time. In winter, the whole land is covered in silver, everyone is dressed like a bear, and there is only the sound of squeaking and stepping on the snow when going out. When everyone gathers for a meeting, the dark brown houses and the sunlight are weak, and people shuttle between them. Slow as if every step is connected to the cold outside, the time feels stagnant and heavy. In the middle and late stages, the pace gradually accelerated with the transportation of Saipu. In the cold air, steep terrain, and dangerous cliffs, only one team whizzed past in the thick and white snow environment of Alaska. As the dogs passed by, the turquoise lake was splashed with ice balls, and the middle and later stages of the film felt like a fantastic action movie. The overall structure of the film adopts a two-line intersecting narrative. They are sending serum in a cold environment and recalling Togo's growth. In contrast, the latter's style of painting looks warm and soft. Togo's soft appearance when he was one year old wanted to make people go to rua, long hair and fat body, and he didn't give up after being locked up by the master, making the house a mess. Follow the master too. The shooting of the memory part made people laugh and admire Togo's cuteness and wit. Parts of the film where the two lines intertwine are handled fairly well, but under the clear skies of Alaska, the transition adds a lot of beauty.
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