When the hooded man was dressed in a gentle orange-red glow in the morning sun, as if gilded by the sun, he was so intoxicated that he was waving a chainsaw, immersed in it and dancing like a little swan, he was telling the world: he is lonely, welcome Let's play... In this dilapidated and gray image, your end screen is the only bright, ideal, and warm tone of the film.
Excellent Asian horror films have always not emphasized blood and straightforward horror, but infiltrated people with atmosphere and psychology, often leaving a long, chilling, but often sad aftertaste in the ending. American horror movies emphasize rhythm and suspense, preferring to make people scream with direct shock and blood. As a veteran masterpiece of American horror, this film gave us high enough screams to see and hear. The screams are as penetrating as the slashing of a chainsaw. I am afraid that it will be like the little boy in "The Tin Drum". Screaming can shatter glass, screaming can tear the screen.
Someone once spoofed the title of the film, "The Dezhou Hoe Massacre" (The Dezhou Hoe Massacre, Shandong's Texas, not the U.S. Texas). Even though he was joking, he still had a cold back and his squeaky movies. Saw sound, reverberation around the beam.
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