The 4th screening day of the main competition unit of the 16th #Faro IslandFilm Festival# brings you "The Priest Club". Please see the evaluation of how the priests in distress on the front line "repent"!
Fruit trees:
The dark tones suit such a story.
RyanRyqn:
Delicate seaside shots even have a Malik style in many places.
Poem to Edlin:
The angle is quite good. The dense soft light filter and the visual motif of wide-angle distortion have fully endorsed the story of misery under the curse of evil.
Prometheus:
In fact, a gangster film was put on to expose the evil of the priest and the Vatican. The filters used in photography were like a layer of fog surrounding the club, covering up the evil.
Pours full of Zhao +:
I don't like it. Stories like this that expose the ugliness of human nature are quite common, but in the context of religion, it is a little hard to read. The environment of the seaside town is depressing and terrifying, but in such a story, it feels contrived.
The heart is a lonely hunter:
It seems to tell a reasonable and reasonable story, but it is not reasonable anywhere. I accidentally became a priest, and it also triggered a creepy follow-up. Really, I don't want to see religious movies other than "Siddhartha".
Cangshan ancient well empty to the moon:
The cold wind of the low-saturation picture looks like a Nordic film, but the shooting country is Chile in South America. Criticizing the corrupt things that priests sexually assaulted, the painting style is too cold, so it gives people a sense of itchiness. Nor is there enough tension in questioning the conversation.
zzy granite:
The film transcends the preaching of faith and religion and confronts the sinful heart of God's servants. The grim tone, the oppressive atmosphere, and the abundance of close-ups and wide-angle shots show the hypocrisy and distorted humanity embedded in the soul of the clergy. The atonement at the end may be for the Lamb of God to take away the sins of the world.
RIVER:
The script is good, the evil is used to cover up the evil, the redemption and the evil are alternately staged, it is called the priest club, but everything has nothing to do with the Lord. through. The character sandokan is also very ambiguous, and at the end he speaks a long list of drug names with ease, which makes people think about the real purpose of his arrival.
I know a little about her:
The real sin is not the human heart, but God and his people. The tradition of using evil to defeat evil has been passed down to this day. Everyone is a mysterious black hole. You can never find out what is behind them. secret. Every priest, nun, child, even a racing dog, they are innocent and heinous. They finally find the peace of deception in the song of God, and then what? Continue to get drunk in this club, paralyzing yourself, until you enter heaven, or you fall into hell.
Midnight no one:
The exploitation of religion is ruthless, resolute, and merciless enough, from isolated rooms to the execution ground of private anger, from the judgment in the ear to the whistling sound of the whole outside world. The essence of religion here becomes the reconciliation channel for man to reconcile with himself, especially his own evil. Because God does not exist, mortals in the name of priesthood need to be their spokespersons; all the sins they commit are not terrible, because they are the capital for God to repent; The more, no one can judge, and the karma overlaps into an inextricable cycle of cause and effect.
Hethang:
Pablo Larrain is good at depicting human frailties, but he always finds his approach strange. The first is the deliberately designed blur filter, and the shadowy picture is just painted with a layer of strangeness in vain; then the layout of the whole event seems empty and unsolid, and the dispersion of the plot makes the expression of the overall emotion confusing. Disorder, the idea of focusing through a few highlights is exposed.
But the best thing about this film compared to "The Hunt for Neruda" is that it achieves a qualitative leap in the theme. Compared with the latter's completely incomprehensible performance, this film blatantly depicts the ugliness of a priest who abuses children. The facts are presented in front of the audience without any cover, and it even raises such a specific sin to the performance of escaping, covering up and even strangling around sin in human nature, which is extremely devastating and ironic. The ugliness of the open earth. The yellow house by the sea is even more suffocated under the dark clouds. It is not a place of redemption, but a place abandoned by God.
#FIFF16# The 4th day of the main competition unit will be released later, please wait and see.
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