The Searcher in the Movie Book

Allison 2022-03-21 09:01:54

know the movie
8.9
[America] Louis Gianetti [Sweden] Ingmar Bergman [Japan] Akira Kurosawa and others / 2007 / World Book Publishing Company

1. Tone

The tone of a movie can be manipulated in many ways, for example, the style of performance can greatly influence how we react to a scene. In Idrosha Ushi's "Heavenly Questions", the tone is objective and realistic, all non-professional actors are used to make the performance style very realistic, and they do not exaggerate emotional Zhang to enhance the drama.

Genre can also help set the tone of the film, with epic films unfolding in a more dignified than life-like manner such as "The Searcher" or "October" The best thrillers are usually tough, vicious, and tough, as "Double Indemnity" and "Deadly Gambler," the comedy's tone is frivolous, playful and even silly.

The off-screen narration can also help set the tone of the film, creating another counterpoint to the objective viewing of the play, for example the narration can be ironic, as in "Sunset Boulevard" or sympathetic, as in "Dances with Wolves") , or even panic, such as "Taxi Driver"; or a Confucian style, such as "A Clockwork Orange" is narrated by a defiant.

The music is most often used to set the tone of a movie. It's all rock and roll, or a Mozart or Ray Charles jazz soundtrack. The atmosphere is completely different. In Spike Lee's "Jungle Fever," the Italian-American scene is complemented by Frank Sinatra's singing, African-American plays use gospel songs and soul music.

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Extended Reading
  • Kaylah 2022-03-26 09:01:05

    In addition to the love-hate feud in the history of American westward travel, the endless entanglement of immigrants and indigenous people, and the bloody massacre... In addition to the perfect outlines, full-bodied hero characters and compact and beautiful stories. Really see through the vast and fascinating scenery of Monument Valley.

  • Nella 2022-04-24 07:01:06

    Perhaps all the writers of "heroes" must eventually go the road of "anti-heroes" in order to complete the cycle of sublation. The perfectly restored version of the archive restores the majestic and exquisite western landscape, and breaks through the too simple and crude binary opposition of the old western in terms of content and theme, and introduces the suspicion of white and Indian revenge. And reflection, the space for pondering and contemplation becomes wide open in an instant.

The Searchers quotes

  • [preparing to lead a charge into the Comanche camp]

    Reverend Clayton: Brethren, leave us go amongst 'em!

  • [first lines]

    [seeing a horseman in the distance]

    Aaron Edwards: Ethan?

    Debbie Edwards: Hush, Prince.

    Lucy Edwards: That's your Uncle Ethan!

    Martha Edwards: [he approaches] Welcome home, Ethan!