There are two versions of this film: the first version of 1 hour and 41 minutes (1999) and the director's cut version of 1 hour and 30 minutes (2006). The changes between the two versions, to put it simply, is like the director Brian Heilgrande was a male when he was making the first version, and he had become a female when he made the director's cut version. . . . In the first edition, Gibson was a cynical rogue who hated deceit and bullied the weak; in the director’s cut version, Gibson became a robber and ruler who was betrayed by a friend and wife who was nearly killed and injured in his heart. A purely violent person. The second force of the brain. The director's cut version is not generally bad compared to the first version in terms of plot and character depiction. . The details are as follows: 1. Gibson started the second stage and grabbed three dollars from the beggar. In the first edition, the beggar was a disabled soldier in Vietnam who was lying on the ground and disguised. Gibson took out the money, the man quickly jumped up to fight, Gibson pinched his neck and said: Shut up, I will heal you! In the director's cut version, the begging is his mother's homeless. . . 2. In the third stage of Gilson's opening, getting along with his wife at home, the director's cut version added a procrastinating couple quarrels and fights. . . It is not helpful to the plot, but it dilutes the wife's remorse, guilt, self-blame and self-retaliation for betrayal, and Gilson's motivation to become even more angry. . 3. The director's cut version unexpectedly deleted the paragraph about Gilson's kidnapping of the second boss's son in the first version. . . If Gibson in the film really has a brain, it must be because of these three scenes: A. Put the police badge and pistol next to Will to bury the prelude to frame the unscrupulous policeman, B. Kidnap the son of the second boss, C , Name the hiding place of the son of the second boss. . . . 4. In the last paragraph, the director’s cut version added a female leader and a gun battle at the station, but in terms of dramatic and suspense design and climax handling, the first version of the explosion ended heaven and earth. . . 5. In a word: The second edition of Dangerous Person is director Brian Helgeland who sincerely tells us what is the real dog-tailed superfluous superfluous, and he won’t die if he doesn’t do anything to die. . .
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