When I watched the first few episodes, the slight emotion in each episode really grabbed people's hearts.
Later, the more I looked at it, the less it tasted, like a well-packaged fast food with exquisite materials.
Japanese animation has probably developed to a bottleneck: the popular Ghost Slayer Blade is also the same fast food. The first look is amazing, and then the routine feels.
The beginnings and transitions of these two episodes are too straightforward and too simple. The protagonists are too perfect.
As a fighting machine and cold-blooded killer, in just a few episodes, she grew into a beautiful young woman who is gentle, kind, and emotional.
This is unreasonable and unnatural.
Shenfan can resonate with people because it is true. Xiamu's advantage is that he is gentle, kind and caring for others, so he is also a scumbag, like a waste of wood, and also needs the protection of friends. (The more you see it, the more you will get a sense of the routine)
I personally think the best episode is somewhere under the stars
A timid and cowardly young man, at the age of the beginning of love, finally faced his inner timidity, showed courage for the first time, and set off with anticipation.
How much like you and me, the boy in white that I longed for in adolescence!
Sure enough, you can't meet too amazing people when you are young.
Hope is too good and too far away.
However, the most real emotion and growth design of this episode is still this teenager, not the heroine. So when I watch this drama next, I don't completely see the heroine as a human being (there are too many bugs), but I regard her as an emotion, a thought, and a yearning. It is true to watch this drama. The place.
Reality is the soul of film and television.
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