When I first saw this film, I thought it was a work similar to "The Son's Room", but the narration that always existed in the film was very poetic and desolate, and the floating music always blew into your eyes and made you cry— - However, it doesn't flow out, it's just the right kind of desolation, which made me feel when I saw my son Eisband, that is: he will die - even though my ten thousand chilling directors really have the heart to do it.
Esband is a strong new force. He is permeated with a complex Oedipus emotion, and has a peculiar affection and interaction with his mother, Manuela. Sometimes he can find a kind of pure ambiguous. It makes people envious of this pair of invincible mother and son, so the life that suddenly disappeared on the basis of extremely gorgeous, let people not only regret the sudden death of their son, but also shock. To be honest, after the death of my son, every time my mother Manuela cried, my eyes were wet. It was a scar that could not disappear for a lifetime. Woolen cloth? In addition to secretly visiting the strange man who took his son's heart, what he can do is to look for the prototype of his son - his long-lost husband, and perhaps his ambition.
But everything, what we see, is just an ordinary mother who takes care of another future mother out of simple understanding and sympathy. She sees her son's indirect "murderer", but she can calmly shed tears and tell the whole story, There was no clamor or resentment. ——Even in the face of "Lola", the king of demon kings (her transgender husband, no, there is also a shemale with male roots), she can treat her "normally", which makes people sigh.
As a result, the "third" Esband was lying in her arms, consummating everything. This is a mother's contribution, and it is the world's greatest return to a mother - a beautiful child.
I haven't been so excited for a long time, for the movie, and for the maternal love praised in the movie.
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