Desire is the soil of talent

Jayme 2022-03-22 09:02:36

On the poster entering the room, Mr. Germain looks at Claude, which reveals the core of the film. Peeping and staring. Rather than saying that Germain was Claude's teacher, Claude was Germain's teacher.

Germain failed to become a successful writer, not because he had no talent, but because he was timid, afraid of losing, and timid to hide his desires. Claude's composition opens up Germain's desire step by step - the desire to voyeurize, the desire to possess, the desire to humiliate. And then tear Germain to shreds and make him lose everything. Claude is too smart to understand that suffering is the basis of a great writer. Happiness and stability make people more and more mediocre.

Germain's young work "Son of the Storm" tells a romantic love story. Even his wife said it was a mediocre novel. But is Germain really mediocre? In teaching Claude to write, Germain showed an amazing sense of discernment and instruction, he knew what was good and what was bad, and it was such a keen taste that he discovered Claude.

Claude is the embodiment of desire. He is brilliant, mysterious, and good at disguise. He knows that grasping a person's desire is the key to getting into the house. Entering the house means not only walking into the house, but also entering a person's heart. Being the owner of the house (others) means gaining the love of others, and means leading and controlling. Claude loves no one, he loves the characters he imagines. Like the conversation between Esther and Claude in the garden. It's easy to be deceived by Claude's outward appearance and mistake him for a poor child who lacks maternal love and likes middle-aged women.

Claude knew very well what he wanted. He wants to enter the room and write about people's desires and the filthiest corners of their hearts. From the perspective of Mr. Germain, we saw the birth of a great novel with our own eyes. Claude and Germain are one with two sides. Claude needs Germain because he needs the support of readers. Germain needs Claude because he needs to be empowered.

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Extended Reading
  • Clinton 2022-03-30 09:01:08

    Nolan's following and Ou Rong's entrance are actually similar to privacy snooping and the consequences of privacy snooping at the core of the theme, but Ou Rong is far superior to Nolan in form. Although there are also signs of author exploration in following, Ou Rong is completely devoted to meta- Narration's embrace, the audience can't escape the instinctive fear of the indefinable presentation of the truth. Therefore, it is more three-dimensional than Nolan's "full truth" broken. Another: the two female cast members are not small.

  • Darrion 2022-03-16 09:01:06

    I love my teacher, so I live there. The shy-looking teenager finally used the curiosity of human nature to get the fruit of his host. Literature is not literature, and reality is not reality. A teacher-student relationship is like a Rubik's Cube played by two hands in literary reality. Until it stops in the same color, the audience suddenly realizes who is falling into the trap from beginning to end. The soundtrack rushes to the heart, and the director is brave!

In the House quotes

  • [repeated line]

    Claude Garcia: Continues.

  • Claude Garcia: But I love you.

    Esther Artole: No. It's not me you love. It's an image. An image in your head.