tail

Shania 2022-03-23 09:02:48

...I didn't understand it at that time. Later, when I was in college, when I started to work as a screenwriter for movies, the two movies that impressed me the most at that time, the first movie was "Eclipse", which gave me a great inspiration It's just that it has a point of view, it basically says that the movie is not necessarily about the inside of the play. Generally speaking, we just look at two actors, the protagonist, what is their story, but it makes a point that this movie is actually what you want to watch, in fact, the background can also be what he cares most about. Because it seems that the movie "Eclipse" is about two people, everyone will be attracted to watch it at that time, because the man is Alain Delon, so beautiful and handsome, and there is Monica, the story is basically a man at the end One girl, that is, they broke up from the beginning to the end, but the last two minutes of the whole movie are empty shots, which is where they pass by, but at that time, it was very bold, and we all went to understand why it was not about the two of them at the end, They didn't cry or hug each other, so how could they go to take a space? Its explanation is that you actually need to see it, because in Europe or the entire building, these streets and these corridors were all used by people, so they have a history of almost a hundred years in this kind of place. If you Turning this place into a person, they basically build the story a lot... Its sadness is not in these two people , because these two people are each of them with such a possibility, maybe they will change again tomorrow, so As a witness, a person watching, the protagonist is this street corner or street lamp, and it will watch this kind of thing for so many years, it comes and goes like this . So you'll feel right away, it's a big inspiration for taking your whole view of the movie. - Wong Kar Wai

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Extended Reading
  • Jude 2022-04-24 07:01:18

    The existential dilemma of losing the ability to perceive, but the heroine's almost vegetative state has changed later. Alain Delon played a spoiled playboy, a kid in a suit, and Marcello felt completely different. Antonioni's consistent beautiful light and shadow, and composition with elements of the environment. Rooms, buildings, plants, streets, cities under serious examination (the characters are only a little smaller). The large close-up defamiliarization shots (human jaws and necks) are like "Daughter of the Sand"; the heroine is walking on the street, in black suits and white skirts, and the hero and heroine are sitting on the grass chatting, these are like "Night". The poetic cinematic language of the avant-garde: the wind in the room, a minute of silence, the day and night on the construction site at the end.

  • Jaquan 2022-03-24 09:03:02

    The most modern part of the trilogy A building that rises from the ground A modern apartment A busy and noisy stock exchange A modern life is so complicated. Love is never simple. Ambiguous times are beautiful in a moment, but they are no match for failure. Ka Viti's peep also represents the director's own deconstruction and exploration of modern love

L'Eclisse quotes

  • Piero: You mind telling me what's wrong?

    Vittoria: Nothing! Let's walk a bit.

  • Riccardo: I wanted to make you happy.

    Vittoria: When we first met, I was 20 years old. I was happy then.