The camera as the carrier in the film has accumulated tremendous power, recording the real eyes of the world, and conveying the director's thinking through images. This is not a story, but a review of daily life. The fast-paced movement has a strong sense of jumping in the picture, but it is not a story. Does not give a feeling of stuffing. Everyone's joys, sorrows and sorrows are exposed in front of the camera exactly and directly, and there is no time to hide them, and there will be no clumsy performances with eyes wandering from side to side. The screen flashes light and the cinema hides in the dark, everything is real, and everything is real. Most of the time in the movie is a dream-making time machine, looking forward to an unreachable dream. After the encounter in the movie, it seems to be closer. However, the sense of reality is by no means dross. The pace of approaching the dream should not stop in front of the theater. In reality, there needs to be more scenery and people who care about it.
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