Aesthetic fatigue. The screenwriter has always written this, and the actors have always chosen this kind of acting. This kind of theme seems to have formed a framework, and if you want to put a few plots into it, it seems to be produced on an assembly line. All the indoor scenes are uncomfortable. The structure of the house of the male and female protagonists is really strange, and it can be directly used as a horror movie set. You say this is to reflect the contradictions of the family, but before she found out that she was cheating, the heroine lived happily for decades, so she set up her home like this? Yunjing is also very deliberate and mysterious. After reading it, I just feel that the middle-class people living in New York in this story are living a good life. Anyway, the director's intentions are confusing. I don't want to let this kind of copy under the banner of feminism, marriage discussion, etc. waste my poor time chasing drama. Look at the Russian drama "Betrayal" a few years ago, how wonderful it is, but HBO is still using nudes, and the doi pictures are eye-catching. I really didn't pursue it.
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