From the perspective of a horror film alone, this film is definitely qualified. The rhythm, atmosphere, and visual effects are mostly just right. Although there are some clichés, the flaws do not hide the flaws. There are exciting parts, and there are scenes where the heart beats fast, and I dare not look directly. In the end, the poem "The silver bottle burst into water and the slurry burst, the iron cavalry protruded and the knife and gun shot, and at the end of the song, be careful to draw, and the four strings sounded like cracking silk" came out in my mind.
Plus, most of the film portrays Larry as a lonely, distressed character, but when Larry comes out, he's pretty scary. Sure enough, monsters can only be seen from a distance, but not up close.
If we only talk about the plot, well, let's start from the beginning.
The film entered the state very quickly, and there was no lengthy foreshadowing, so the audience was ready to cover their eyes from the beginning, which was praised.
Oliver said there was a vision, and his mother laughed at him. Until mother saw the vision with her own eyes and told her father, father laughed at mother again. The father showed his masculinity and took his son on duty. He wanted to have an on-site education, but he also saw a vision. When the scene cuts home and the couple discuss countermeasures, forgive me for being teased here and laugh out loud.
Although the first half of the film starts from the playful communication of friends, the second half rises to family affection. When the film finally tells us the reason for Larry's appearance (it is because people are watching each other's mobile phones, they are not communicating with each other, so they are lonely There are more and more people, and Larry appears like this), I am a little bit out of the drama, why is it still a "teaching class"? Fortunately, the director quickly pulled me back into the play with the next climax scene.
In the end, it would be too vulgar to end the movie if the mother devoted herself to maternal love (I thought this movie was too ordinary).
But at the end, when the happy play scene of Oliver and his mother in another world was staged, I actually gave birth to the feeling of "the relationship between people and ghosts". Yes, once anything in this world is truly lost, it will become more precious, some people will be completely changed because of this, and some people will be unable to extricate themselves. Missing each other will form an invisible "vortex", or see things and feelings, or diffuse around. When Dad used the "underworld camera" to see that tender (somewhat terrifying to others) scene, how could he not bring tears to his eyes.
"The east boat and the west boat are silent, only the heart of the river is white with the autumn moon"
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