Love it, the one with the least loopholes I've ever seen. I admire the author's brain holes and logic, as well as the animation's grasp of the overall rhythm. The style is unconventional, and the characters chosen have a certain peculiarity: children and women.
When motherhood becomes a part of production, when the true instinct encounters a cruel deception, in the face of many unknowns and fears, do you give up the struggle, escape alone, or become a savior? The protagonist chooses the most difficult and impossible, but also the most happy way. This is also what I admire most about the author. Under the unequal confrontation but still able to clear the customs, the logic is self-consistent, and there is no lack of foreshadowing and reversal, and the conditions that can be used are maximized. Everything is reasonable. But often unexpected.
The setting of this episode is inherently outstanding. It starts with a solitary orphanage. The less things you give, the more you turn out in the end. Accidents and coincidences are not convincing. From the time Norman and Emma discover the truth, everything is premeditated and arranged, which also makes this work a perfect, self-running circle. Because of planning, the world view is more complete, so that it is enough to form a self-ecology.
It may be that my own obvious growth has made it easier for me to empathize with the various characters in various works, and to understand their behavior while also being able to make corresponding analysis because of God's perspective. This kind of empathy actually brings a lot of fun to the process of viewing the works, adding a lot of immersion and hearty.
The controversy about Emma is nothing more than the question of the Holy Mother. As Norman put it, she was "disorganized and unintentional, but very forthright", and her Virgin was not a real Virgin, but a salvation based on determination, action, judgment, and reality. The most impressive part is the second half, when little Norman was ill, Emma, who tried to chat with him repeatedly when no one tried to persuade him, and Emma, who planned to expose her injuries and all the chaos, came up with a broken bone for her companion. , Emma who cut off Lei and her ears decisively when Lei lit a match and wanted to die with the orphanage, and Emma who finally decided to give up taking children under the age of four and wanted to make a comeback in two years... She could see the reality gap, She can also make sacrifices, so I think her so-called "Virgin" should still be dominated by the kindness of children, dare to think and do. Her innocence is mature innocence. If you have to say that she is a virgin, it should also be a "virgin" who "does have the ability to shape an ideal country by herself". What's wrong with this, in exchange for small losses for maximum benefit, desperate success, full of blood, naive and straightforward. Life is already hideous enough, so in an anime that is not so beautiful and tries its best to restore the real sinister, getting an idealized ending may inspire more people.
Finally, let's talk about the second season. In fact, when I watched it, I wasn't sure if there was a second part of this show, so Norman's death became a pity that there was no reversal (woo woo Norman! I can't help it!!), and in the end the children Going out and seeing the dawn, I can also imagine that everything will be perfect and the future will go smoothly. The first season is here, it's beautiful enough for me, what I see is a small and delicate work, leaving a clean ending, full of swelling and a touch of pain, you can Tears were shed, and he let out a sigh of relief. The advantage of making the second season is that it can expand the world view and make the whole show go to a higher level (in fact, I personally still look forward to seeing Norman survive www), but as a person who has only watched anime, What I am more worried about is whether the main creator can hold on, I hope to continue the high-quality and good plot of the first season, let me give it another five-star! ! !
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