"In the Mood for Love": Cheongsam wrapped in a lonely soul

Elisha 2021-11-15 08:01:27

The scenery seen from Du Kefeng’s pupils must be different from those of others. Each picture is a cruel scenery that forcibly connects the viewer’s thinking through the film montage, and the strong contrast formed by the strange and unexpected combination. Unforgettable, he is a master of depicting details, with a gesture of raising his hand, a deep look in his eyes, and a slightly sideways appearance. Every back has a scene, magnifying the joys and sorrows to others.
Every time Zhang Manyu changes a cheongsam, there are several fixed shots, waist, collar, arms, and calves. It can be seen that Du Kefeng is a person who understands cheongsam. Wearing cheongsams should not be too standard, but flat and slender in order to wear a red face. The twists and turns of the fate, too full, become a blessed concubine, the soul cannot control the body, and the body cannot control the clothes with the soul.
The collar is the key to the test of a cheongsam. The trim, the buckle and the hairstyle, earrings, and necklaces are all fatal details. There is no room for sloppyness. You should not only look at the front, but also look at the back and sides.
The waist is the key to wearing a cheongsam. The most stringent requirement for a cheongsam is the waist. It must be thin and soft, because the cheongsam is adapted from the manchurian cheongsam. The cheongsam is very stiff and stiff, without a slender and flexible waist. , Can not wear the vivid charm of cheongsam.
A woman wearing a cheongsam and holding her arms usually gives people a very mean feeling. That meanness is formed by loneliness and weakness. The cheongsam should be good-looking and can not have strong and thick arms. It is as thin as white jade. I see pity. .
Wearing a long cheongsam with high slits, most of the legs are exposed when walking, the viewer sees the overall effect, and the requirements on the calves are not very harsh. If you wear a short cheongsam, it will be like a princess dress. You must have an impeccable calf. The lines, exquisite calves set off the exquisiteness of the cheongsam.
The clothes that challenge the most body shape are the simplest clothes. Because there are no fancy embellishments, the viewer's attention has to be placed on the curve. Wearing a cheongsam is a very dangerous attempt. With a pair of proud long legs, Karen Mok wears a cheongsam like a horse-riding outfit. The wild, petite and flimsy Dong Jie wears the charm of the novel female No.1 of the Mandarin Duck and Butterfly School.
Wang Jiawei asked Maggie Cheung to walk in the dark corridor in a gorgeous cheongsam, probably to show that the cheongsam is the last disguise of a lonely woman. She walked under the soft street lights, walked in the jazz of ecstasy, even if she went to the stall to buy a bowl She wore the most beautiful cheongsam all over her face-none of these could conceal her loneliness. The cheongsam was tailored with loneliness.
Nowadays, few people wear cheongsam at home, because it is inconvenient, it is not convenient to go to work and crowd the bus, it is not convenient to go to the night market after work, and it is not convenient to elope. Women wear less clothes, and Tai Ban wears tight trousers or short hot pants, ready to run away with men at any time.
How can I elope in a cheongsam? I dare not imagine the appearance of a fall in a cheongsam, and it will be difficult to get up. How can it be so ugly? Cheongsam is the most important thing about posture. In the old days, the woman knocked out her teeth and swallowed it in her belly.
Because of grace, you must cultivate with tolerance and restraint, and you will lose a lot of natural happiness. Fan Liuyuan imagined that Bai Liusu was wearing a cheongsam to run in the forest, but he actually hoped that she would run in the forest without wearing a cheongsam. He loves the look of her bowing her head, the way she wears a cheongsam, and the way she does not wear a cheongsam. This is a man. The initial attraction will eventually be replaced by primitive desire. Who wants to love a woman who never takes off her cheongsam? ?
Mr. Zhou asked Mrs. Chen, if I had an extra ticket, would you go with me? Her cheongsam really fulfilled Zhang Ailing's incomplete outlook on life at that moment-life is a gorgeous robe full of lice.
"In the Mood for Love" can only be used for nostalgia. It is reminiscent of the gorgeous, sad, and depressing love stories in the 1960s, the contradictions, pains, and struggles of the petty bourgeoisie. It is impossible to have such stories nowadays.
If the soul and body are lonely, what is the use of wrapping them in silk? The more desolate, it would be better for her to take off her cheongsam and put on torn jeans and walk away with him.

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Extended Reading
  • Salvador 2022-04-24 07:01:05

    The first time I watched "In the Mood for Love" was in early 2001. My dad took me to the cinema, dubbed in Mandarin, and there were only a few people in the cinema. The second time I watched it 16 years later, it turned out to be on the big screen again, in Cantonese and Shanghainese, and the applause of 5,000 fans living in the hometown of movies was earth-shattering. The most wonderful thing is that Bologna has been restored to perfection, as if sixteen years have passed, and the pile of films is still the same age. #lumiere film festival#

  • Katelyn 2021-11-15 08:01:27

    Zhang Manyu is taller than Liang Chaowei, but they stand together so coordinated. I want to come, because she is wearing high heels and knows how to bow her head tactfully.

In the Mood for Love quotes

  • Chow Mo-wan: I have a chapter to finish.

    Su Li-zhen Chan: Where have you got to?

    Chow Mo-wan: The drunken master just showed up.

    Su Li-zhen Chan: When did he get written in?

    Chow Mo-wan: Just now!

  • Receptionist at 'Singapore Daily': [picks up phone] Hello, Singapore Daily.

    [into phone]

    Receptionist at 'Singapore Daily': Hold on.

    [turns to room]

    Receptionist at 'Singapore Daily': Mr. Chow, call for you.

    Chow Mo-wan: [hurriedly arrives to pick up phone] Thanks!

    [into phone]

    Chow Mo-wan: Hello?

    Chow Mo-wan: [into phone] Hello?

    [cuts to Mrs. Chan holding phone, she remains silent]