I may not be able to write anymore. In fact, I discovered this at the end of last year. I didn't write about many things, and most of the things I wrote were irrelevant. I was able to write a lot in the past, and those were real stories with real feelings. Later, I was able to write a lot, but they were all for the purpose of forgetting the filling of the past stories. Now, finally, there is a sense of deconstruction.
My job is to serve the people. When the people are immersed in the joy of the Chinese New Year and do not need to serve, I will relax. So today, I went to work on the first day of the new year and seemed to have nothing to do. I rummaged through my bag, and only found this DVD "Blueberry Night" that I bought and hadn't watched for two months, and used it to pass the time. I said that I probably won't watch this movie because I started to be disappointed with Wong Kar Wai last spring, but Qing Xian let me watch it again. I heard a long time ago that this is Wong Kar Wai's first love story with a happy ending, but in my opinion, "Blueberry Night" has no ending. "Blueberry Night" only tells the beginning of love once, and The whole play is to use NORAH JONES to watch the deconstruction of love.
JUDE LAW has a line in the movie, "It's the same everywhere". It's the same everywhere, regardless of time or borders. Walking on the street, you can see that the popular BOBO heads in the city are nothing more than "child flower heads" left by female classmates who felt soiled when they were young. They wake up in bed during the day and lie down on the bed later. The procedures for the hospital bed are basically the same, except that it is too common to wake up and lie down, and it is of course insignificant, and once it rises to the limit of life and death, it feels that the time of getting out of bed and going to bed must be inscribed on a monument. Look, every day that is deconstructed is not a reincarnation; if love is deconstructed, it is nothing more than an ordinary thing like eating.
So there is a gourmet recipe that can be compiled by skewering each of Wong Kar Wai's films. Takeshi Kaneshiro's canned pineapple in "Chongqing Forest", "The day we broke up was April Fool's Day, so I always took her as a joke, and I was willing to keep her joke for a month. From the day we broke up, I bought a can of 5 per day. The canned pineapples that expired on the 1st of May, because pineapples are May’s favorite food, and May 1st is my birthday. I told myself that when I bought 30 cans, if she didn’t come back, This relationship will expire"; and Tony Leung's chef salad, "If you have fish and chips, you will no longer choose the chef's salad. People, it's the same." Of course, the alley wonton noodles in "In the Mood for Love" are also indispensable...
If canned pineapple is the hope of young people to have unexpired love, the chef's salad is looking for a lost substitute, and this blueberry pie is nothing more than enough to talk about It is love that has no permanent guarantee and no substitute. Deconstructed love is nothing but an indispensable way of life, like eating, and like NORAH JONES' line, "I didn't say goodbye, I just walked away." Don't think of immutable love as rotten. If it is your own emotional support, then you will never be able to leave love for the rest of your life. If you think of a single emotional supporter for a long time, then thinking like this will only bring death. is fragile and vulnerable, and the ending will be like the retired police officer DAVID STRATHAIRN in "Blueberry Night". Fortunately, the heroine is not such a person who can't think of it. To put it bluntly, this movie is not so much about love. Given the different expressions of structured love and deconstructed love, it would be more straightforward to say that it is about two stealing kisses. The kiss at the end of the story is said to be shot from the top. 150 times.
Deconstructing love is just as common as eating. The food you eat will definitely have a shelf life, and the taste will not remain the same. You need to eat three meals a day when you eat normally. You have to eat it all the time, but you have to keep changing your taste when you live well. Many intros about the film say that NORAH JONES plays a girl who likes to eat blueberry pie, which is a fallacy of reading comprehension. The blueberry pie in this movie is just as discarded as the keys that guests keep in the coffee shop. Maybe we should remember the introduction of the blueberry pie. In the seven and a half minutes of the movie, NORAH JONES just heard from the words of JUDE LAW that this blueberry pie is nothing. It's just that someone chose it and didn't come for it. The moment before I put it into the trash, I stopped it. The blueberry pie was really bad for NORAH JONES at that time, but NORAH JONES took it as a footnote to waiting and tasted it as sour as his mood at that time. The taste of the blueberry pie became tempting until the first stealing kiss of JUFE LAW appeared, and the 90-degree kiss at the end became sweet as a matter of course. But, in the story after that, who knows, when love is just a structure, deconstruction is inevitable.
In fact, many chefs themselves are blueberry-resistant people, please do not try to eat a blueberry alone, I have tried it, and it is by no means delicious. Only when blueberries are mixed with cream, and not whole, just a little inadvertently, will the sour taste of blueberries play a role in stopping the creamy and greasy taste, and the milky taste covers the beauty of blueberry sourness. This is true of any kind of love, even everything in this world is like this, the world is like this, don’t expect the perfect love in novels and movies to happen in a life that never made you feel like it happened, your own experience In fact, it is the true face of all people's lives. The Gillian in Edison Chen's computer photos is no different from the AV girl. Love and celebrities are just structures. Deconstructing everyone will be vulgar, and love is just us. The survival choice needs of emotional hormones plus rational interests will not only be picturesque.
"Blueberry Night" is also a light, sad, fresh, ambiguous, endless, smooth, carefree, heartless, trustworthy, who loves who and who, the beginning of a self-satisfying relationship , After many years, the protagonist opens the key to open his own door, and behind the door is the story of the original encounter. It is not easy for people to trust each other, and it is not easy to let go of each other. The deconstruction is the same. , as usual to be like a home-cooked dish, a cup of home-brewed wine, the taste is indescribable.
Finally got a sense of deconstruction. I can write a lot before, those are true stories, true feelings, those are canned pineapples; I can write a lot later, but that is to forget the stuffing of past stories, those are chef salads; now I am eating blueberry pie, I I feel like I can't write anymore. Tomorrow is Valentine's Day. There is a saying why men give women red roses. Zhang Ailing once wrote "Red Roses and White Roses". Zhang Ailing said that the growth of a man must be at the cost of saying goodbye to his purity, which must be painful. And bitter. This boy is sure to cry. "Red roses are a passer-by for a man's life to grow, and men experience red roses to mature." In fact, I have always felt like I wanted to cry, but I haven't cried yet. Gradually, when I watched "Blueberry Night" today, I saw that I was also moving from "emotional structuralism" to "emotional deconstruction" , No matter lust or quitting smoking, when a person wants to quit something, he is very unconfident. This is how I am now.
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