Since the end of the first season led to the search for the little guy (the official did not give a specific surname, it has always been called the child, and also called Baby Yoda), the main line of the second season is very clear, but the consequences are clear It's a soap opera that can easily turn into a "family search", yes, I'm talking about "Assassin's Creed: Odyssey". Among them, the most common routine is: looking for clues, someone providing clues, helping with side quests, getting clues after finishing, and entering the next cycle. This narrative mode is too linear and lacks the possibility of having a major impact on the main line. Dangers and conflicts are completely isolated from the main line, and it is easy to fall into stereotypes, which in turn leads to the decline of the audience's sense of substitution. Not to mention, if the background of the story is not fictional but has a history to follow, then the audience's sense of substitution will be very dependent on the attractiveness of the background theme itself. "The Mandalorian" clearly handled the narrative well at the start of its second season.
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