That movie was [rear window], Fatty Xi showed his bald head and hid in a pianist’s room. where
we suddenly found him on the left side of the screen, the audience revealing a girl like Starchaser excited expression
idol do this sake, I hope it really is a master at fat
people say, fascinated by the Hitchcock movie , Will unconsciously participate in the murder. This must not be taken seriously, nor can it be underestimated.
In the noisy Xinhe Center in Mong Kok, Hong Kong, I bought the Japanese version of [死魂索] DVD like I found a baby.
I couldn't wait to think of the box containing the corpse at night, and I was a little excited.
The Japanese version of the cover is an obvious murder story. The uneasy colors that rush to the face match the usual cold aesthetics of the Orientals.
In contrast, the DVD jackets of France and Spain are even more ridiculed by the Europeans. With a rope in his hand, I suddenly felt like a murder leader.
In repeated speculations, the film faintly revealed a trace of unease about homosexuality and controversy about the killing of higher ethnic groups.
When Brandon talks about "privileged people", we can easily think of Nietzsche's superman doctrine and Hitler's fanaticism.
As a weak existence, the rope actually serves as a bold and sharp murder weapon. Compared with the hot weapon at the end of the film-the pistol, it is even more chilling.
The character setting of the movie is as concise as ever, like a stage play. The simplification of time and place makes people concentrate on the focus of discussion.
There is no suspenseful element in [Daihunso]. From the beginning of the film, the truth is revealed. The point that guides us to continue watching the film should be the fun of watching a group of people who don't know the truth.
Where is David?
This problem has become increasingly prominent since the party began, and it eventually lingers in the minds of everyone who comes. And we, who always blindly fixed our eyes on the wooden box, naturally got the voyeuristic ecstasy.
We already know the answer. The men and women in the film are separated by a thin layer of belly.
[Dehouxue] has few and few moral missionary elements, but it always makes us feel a little bit of chest tightness. The film ends in the same room. The street outside the house is full of people, and the police are rushing to the scene of the incident following gunfire. The three men on the screen—two murderers and one exposer—are secretly calm and in a corner. Without [To be coninued], after the light is dimmed, it is simply [OVER]. As for what happened afterwards, Hitchcock was not interested, nor did he hope the audience would be interested. For him, the end of a murder case does not require any prediction. Just like his face, frequently and quickly appearing in his own movie works, if you don’t pay attention, you will miss it
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