The barrage has too great expectations for motherhood, and it also has an ideal filter for family life. Maybe life itself is enough to worry, so I want to see beauty and miracles in film and television, which is understandable based on leisure and entertainment.
But she was not born a mother, she chose it, or she thought she chose it. Every day after that is learning how to be responsible for her choices, her education methods, her family values, all of which are hers. It is not because she chose to become a mother that she is required to have a mainstream good child and a harmonious family with social standards for the sake of the society. After all, the child and life are her own. Motherhood is a social occupation (not yet fully recognized), but she herself can never seem to quit, make mistakes and sabotage
I love this drama out of pragmatism. Loving him is the rhythm of real life. In most of the chaos and insipidity, there are only small surprises and touches, and it is this smallness that supports the whole life. Watching life dramas is to learn about another angle and possibility of falling in love with one's own life, not to one-sidedly understand the happiness and flawlessness of other people's lives. That is a fairy tale.
I like that every character here does not have a definite development direction, and not every effort has a good result, not everyone has a clear goal, and not everyone makes a choice and will move forward. The younger son chose to release his creations, made a public statement, and was reluctant to give up at the last minute, but everyone present did not sigh at all, but instead celebrated his new decision.
The whole play may be discussing what love is, caring or letting go, unconditional support or making your safe choice for him. The family is not for everyone to walk side by side, but everyone's low times are not necessarily the same frequency, even if I don't agree with your choices and opinions, but I still love you to be yourself
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