1. A blonde with long legs and black stockings, Anna fulfills half of my sexual fantasies. From being weak at the beginning to being involuntarily involuntarily in the middle, to being at ease at the end, from being pressed on the table in a sexual position, entering the battle on the coffee table in the middle, and finally taking the initiative to attack, Anna has transformed from a weak woman into a skilled, A female killer with unparalleled looks, intelligence, and emotional intelligence, the only thing that doesn't change is that Anna only wants to live as a free person, not a slave. The unbelievable point of the film is that a female agent who is a half-way monk can really take off to that level of skill and IQ? 2. Anna's figure is really good. The part of going out of Russia in suspenders and stockings is really a nosebleed. Luc Besson is very good at making girls beautiful. This kind of beauty is coquettish but also cold. "The Killer is Not Too Cold", "The Fifth Element" and now "Anna", girls are so sexy, but they are not. People can enter into her inner world. 3. Although Anna slept with a French female model, a KGB agent, and a CIA agent, what she wanted in her heart had always been to escape the unchanging and unfree life. Everyone was taking advantage of her, except for the French Female models, and she's taking advantage of everyone, including French female models. It's a pity that the director did not give more shots of the French female model to explain the ending of Anna and her clearly. Perhaps in Anna's heart, the French girl was just a cover for her identity as a secret agent, and she felt sad for such a short-haired French female model. 4. In fact, the fighting scene is far less exciting than "City of Extreme Cold", and the connotation is not so profound, but the heroine is very beautiful, there are a lot of sex scenes, and the brain hole is big enough, although I can't guess that a parent who died and is willing to fight with one Does a girl who is a drug addict in a bank have such intelligence and physical strength, but in fact, whether Anna is credible or not, she represents every one of us, every one of us trapped in a mediocre life and eager to escape, Ordinary people who are occupied by day-to-day compromises. When Anna knocked over the stupid photographer, it was not only because the photographer made her miss the time to meet the KGB, but also a small explosion in Anna's heart towards the model (agent) career who could not see hope and sunshine. The film ends with chess, does it also symbolize that if each of us cannot control our own destiny, then we can only become someone else's pawn? Sleep and use the KGB and CIA Bonds. In addition to Anna, the IQ responsible for the whole film is a lame woman from the KGB. Are you a classmate of Cao Xueqin, the director?
6. The scene in which Anna was kidnapped by the CIA in her room and then turned back was the most vivid scene in Anna's heart. "Be a slave or die", and we spend our whole lives, in fact, there are really too few choices, house slaves, car slaves, and money slaves. It is safer to live than to die without knowing whether it is white, black, bitter or sweet.
View more about Anna reviews
